Chapters (34)
- Cover
- Dedication
- I
- Black Swan
- Blessed Is the Field
- The Garden of the Trumpet Tree
- Blacklegs
- The Wolf
- Brightness from the North
- Sheep Child
- The South Gate
- Sheet Music
- II
- The Satyr’s Heart
- Two Boys
- Rose of Sharon
- Windfall
- Midwinter
- Elegy
- Pale Rider
- Masque
- III
- The Dragon
- The Foreskin
- The Orchard
- Plants Fed On by Fawns
- Lion
- The Dance
- The Rain’s Consort
- IV
- The Sparrow’s Gate
- Acknowledgments
- About the Author
- BOA EDITIONS, LTD.
Blacklegs
The sheep has nipples, the boy said,
And fur all around. The sheep
Has black legs, his name is Blacklegs,
And a cry like breaking glass.
The glass is broken. The glass
Is broken, and the milk falls down.
The bee has a suffering softness,
The boy said, a ring of fur,
Like a ring of fire. He burns
The flowers he enters, the way
The rain burns the grass. The bee
Has six legs, six strong legs,
And when he flies, the legs
Whistle like a blade of grass
Brought to the lips and blown.
The boy said, The horse runs hard
As sorrow, or a storm, or a man
With a stolen purse in his shirt.
The horse’s legs are a hundred
Or more, too many to count,
And he holds a moon white as fleece
In his mouth, cups it like water
So it will not spill out.
And the boy said this. I am a boy
And a man. My legs are two,
And they shine black as the arrows
That drop down on my throat
And my chest to draw out the blood
The bright animals feed on,
Those with wings, those without,
The ghosts of the heart—whose
Hunger is a dress for my song.
The Wolf
The diseased dog lowered her head as I came close, as if to make
Of her head a shadow, something the next few hours
Would erase, swiftly, something of no account. And what came
To mind was the she-wolf, beneath the wild fig, nursing
The boys who would build what amounted to a lasting city
On this earth. And it was as if, on that hot afternoon, I was standing
Not in the empty aisle between the gardens, that have been
Reduced to nothing except the most rudimentary plants
And the eroding outlines of brick walls and barren terraces,
But in the white light of a studio, in which a sculptor,
Working from the only model he has, a poor dog, is carving
Out of the blackest of black stones a female wolf with two rows
Of triangular tits, which look like the twin rows of cedars the dog
Swam through and from which two boys are suspended,
Fat-thighed and fated. And the truth is both dog and wolf
Are ancient, for the sick dog comes not from the garden
But from another time, in another city, a sabbath day, foreign,
The street completely empty, the day shapely around me,
The houses, the walks, all ordered and white; and then
Out of the ordered whiteness proceeds a thing of great disorder,
A shape from the world of shadows, something to drive
Away. But I did not drive her away, though I could do
Nothing for her. And now I would make of her something
Better than she could make of herself—though the wolf
Is only remembered in her prime, and not as she must