Chapters (58)
- Cover
- Dedication
- CHAPTER 1Typhoon ShelterYOU ASKED
- 1936–1937
- CHAPTER 2TUITION
- CHAPTER 3STEAMED FISH
- CHAPTER 4LETTERS ACROSS OCEANS
- CHAPTER 5MAKE A WISE DECISION
- CHAPTER 6Typhoon ShelterTHE TROUBLES OF CAPTAIN LEE
- CHAPTER 7ELOPE
- CHAPTER 8DINNER AT TAI HANG
- CHAPTER 9Typhoon ShelterTHE GEOMANTIC FATE OF WONG NAI CHUNG VILLAGE
- CHAPTER 10RESIDENT ROMEO AND JULIET
- CHAPTER 11THE WORLD OF EMILY MAH
- CHAPTER 12JOLLY GOOD FELLOW
- CHAPTER 13FRAMED
- CHAPTER 14Typhoon ShelterME AND TING-YAN
- CHAPTER 15MONKEY’S WEDDING
- CHAPTER 16NOT GOLDEN
- CHAPTER 17POSSESSED BY LAUGHTER
- CHAPTER 18CHEUNG’S NEW HOME
- CHAPTER 19GO-BETWEEN
- CHAPTER 20AN UNEXPECTED VISITOR
- CHAPTER 21A VISIT TO WONG NAI CHUNG VILLAGE
- CHAPTER 22CHILDHOOD HOME
- CHAPTER 23CHINESE WEDDING
- CHAPTER 24HORACE’S LEAP
- 1941
- CHAPTER 25STUFFED CRAB
- CHAPTER 26ST STEPHEN’S COLLEGE
- CHAPTER 27WHEN IS A FISH NOT A FISH?
- CHAPTER 28Typhoon ShelterTHE CHINESE COOPERATIVE COUNCIL
- CHAPTER 29STUBBORN
- CHAPTER 30LOOTED
- 1942
- CHAPTER 31NOMA WANTS A PARTY
- CHAPTER 32BURN THIS LETTER
- CHAPTER 33VERY PREGNANT
- CHAPTER 34GET OUT WHILE YOU CAN
- CHAPTER 35SCAR
- CHAPTER 36THE NEWS ABOUT TAK-TAM
- CHAPTER 37WHAT CHILD IS THIS?
- CHAPTER 38MOON AND STARS OVER SAI KUNG
- CHAPTER 39TIMELESS TEST MATCH
- CHAPTER 40A CUP OF SALT
- CHAPTER 41ENDGAME
- CHAPTER 42THIS FISH
- CHAPTER 43EMILY FLEES
- CHAPTER 44ESCAPE
- CHAPTER 45NOT A DREAM
- CHAPTER 46CHEUNG PLOTS REVENGE
- CHAPTER 47Typhoon ShelterLET’S GO HOME
- CHAPTER 48THE SEA AT NIGHT
- CHAPTER 49CARP’S EYE
- CHAPTER 50IN THE CHAPEL
- CHAPTER 51Typhoon ShelterTHE FINAL SECRET
- Acknowledgments
- Notes on Spelling, Transliteration, Naming, and Language
Much appreciation to Zaynui Nagji for his sharing his expertise on the game of cricket and making sure I didn’t make a fool of myself. Gratitude also to his daughter, Anushka Azadi, for connecting us. Many thanks, too, to Peter Quartermain for sharing his love and knowledge of the game and for helping me to make the language of the cricket passages flow.
Many thanks to Kirsten Emiko McAllister and Nadine Chambers for brief but meaningful conversations about this book, and to Yilin Wang for her generous assistance in thinking through how to handle transliterations.
Rivers of appreciation to the ever-generous Brian Lam for publishing this book and those that came before it. I thank him so much for his ongoing belief in me and my work.
Catharine Chen was an incisive and thorough editor. I thank her for her sharp eye, brilliant attention to narrative logic, and thoughtful, generous critiques.
Appreciation to Rebecca Rosenblum for a careful and intelligent copy edit. Great thanks to Alison Strobel for her eagle eye in proofreading.
Thank you to the talented and generous Jazmin Welch for the beautiful cover and elegant interior design. I really appreciated her willingness to take my suggestions on board and develop them in her own original and creative ways.
Many thanks to Cynara Geissler and Jaiden Dembo their excellent work in publicity—that includes the work they’ve already done (they started early!) and all the work that I know will happen after this book is born. I appreciate the care, wisdom, and hard work that goes into all they do.
Appreciation as ever to Robert Ballantyne for all his work in distribution.
Thank you to my parents, Tyrone Lai and Yuen-Ting Lai, for their generous storytelling and their forbearance with the way I do things. They’ve seen so many changes in their lives—not least the changes in the relationship between what is possible to say and what is better left unsaid. Thanks also to Mom for her last-minute fact checking and bestowal of precious details, like the kinds of boats Violet sees when she looks down onto Victoria Harbour from the Peak.
Gratitude as always to my sister, Wendy Lai, and her partner, Karel Maršálek.
Edward, sorry about the giant mess, especially the book towers in the middle of the living room floor.
Though many people were generous with advice and support for this book, any errors, omissions, or missteps are my own.