Back The Lollipop Shoes
Chapters (96)
  1. Cover
  2. About the Book
  3. The Lollipop Shoes
  4. Dedication
  5. ACKNOWLEDGEMENTS
  6. PART ONE
  7. 1
  8. 2
  9. 3
  10. 4
  11. 5
  12. PART TWO
  13. 1
  14. 2
  15. 3
  16. 4
  17. 5
  18. 6
  19. 7
  20. 8
  21. PART THREE
  22. 1
  23. 2
  24. 3
  25. 4
  26. 5
  27. 6
  28. PART FOUR
  29. 1
  30. 2
  31. 3
  32. 4
  33. 5
  34. 6
  35. 7
  36. 8
  37. 9
  38. PART FIVE
  39. 1
  40. 2
  41. 3
  42. 4
  43. 5
  44. 6
  45. 7
  46. 8
  47. 9
  48. 10
  49. 11
  50. 12
  51. PART SIX
  52. 1
  53. 2
  54. 3
  55. 4
  56. 5
  57. 6
  58. 7
  59. 8
  60. 9
  61. 10
  62. 11
  63. 12
  64. PART SEVEN
  65. 1
  66. 2
  67. 3
  68. 4
  69. 5
  70. 6
  71. 7
  72. 8
  73. 9
  74. PART EIGHT
  75. 1
  76. 2
  77. 3
  78. 4
  79. 5
  80. 6
  81. 7
  82. 8
  83. 9
  84. 10
  85. 11
  86. 12
  87. 13
  88. 14
  89. 15
  90. 16
  91. 17
  92. 18
  93. 19
  94. Epilogue
  95. About the Author
  96. Also by Joanne Harris

‘It must be hard, running a shop. Here, of all places.’ Montmartre, that strange little stone island with its tourists and artists and open drains, and beggars and strip-clubs under the linden trees, and nightly stabbings down among the pretty streets.

She gave a smile. ‘It’s not so bad.’

‘Really?’ I said. ‘But now that Madame Poussin’s gone—’

She looked away. ‘The landlord’s a friend. He won’t throw us out.’ I thought I saw her flush a little.

‘Good business here?’

‘It could be worse.’

Tourists, ever on the lookout for overpriced tat.

‘Oh, it’s never going to make us a fortune—’

As I thought. Barely worthwhile. She’s putting a brave face on it, but I can see the cheap skirt; the frayed hem on the child’s good coat; the faded, illegible wooden sign above the chocolaterie door.

And yet there is something oddly attractive about the crowded shop window with its piles of boxes and tins, and its Hallowe’en witches in darkest chocolate and coloured straw, and plump marzipan pumpkins and maple-candy skulls just glimpsed beneath the half-closed shutter.

There was a scent, too – a smoky scent of apples and burnt sugar, vanilla and rum and cardamom and chocolate. I don’t even really like chocolate; and yet I could feel my mouth watering.

Try me. Taste me.

With my fingers I made the sign of the Smoking Mirror – known as the Eye of Black Tezcatlipoca – and the window seemed to glow briefly.

Uneasy, the woman seemed to sense the flare, and the child in her arms gave a silent mew of laughter and held out her hand—

Curious, I thought.

‘Do you make all the chocolates yourself?’

‘I used to, once. But not any more.’

‘It can’t be easy.’

‘I manage,’ she said.

Hm. Interesting.

But does she manage? Will she continue to manage now the old woman’s dead? Somehow I doubt it. Oh, she looks capable enough, with her stubborn mouth and her steady gaze. But there’s a weakness inside her, in spite of all that. A weakness – or perhaps a strength.

You have to be strong to live as she does; to bring up two children alone in Paris; to work all hours in a business that brings in, if she’s lucky, just enough to cover the rent. But the weakness – that’s another matter. That child, for a start. She fears for her. Fears for them both, clings to them as if the wind might blow them away.

I know what you’re thinking. Why should I care?

Well, call me curious if you like. I trade in secrets, after all. Secrets, small treacheries, acquisition, inquisition, thefts both petty and grandiose, lies, damn lies, prevarications, hidden depths, still waters, cloaks and daggers, secret doors, clandestine meetings, holes and corners, covert operations and misappropriation of property, information and more.

Is that so wrong?

I suppose it is.