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Contents ( 57)
  1. Prologue
  2. One
  3. Two
  4. Three
  5. Four
  6. Five
  7. Six
  8. Seven
  9. Eight
  10. Nine
  11. Ten
  12. Eleven
  13. Twelve
  14. Thirteen
  15. Fourteen
  16. Fifteen
  17. Sixteen
  18. Seventeen
  19. Eighteen
  20. Nineteen
  21. Twenty
  22. Twenty-One
  23. Twenty-Two
  24. Twenty-Three
  25. Twenty-Four
  26. Twenty-Five
  27. Twenty-Six
  28. Twenty-Seven
  29. Twenty-Eight
  30. Twenty-Nine
  31. Thirty
  32. Thirty-One
  33. Thirty-Two
  34. Thirty-Three
  35. Thirty-Four
  36. Thirty-Five
  37. Thirty-Six
  38. Thirty-Seven
  39. Thirty-Eight
  40. Thirty-Nine
  41. Forty
  42. Forty-One
  43. Forty-Two
  44. Forty-Three
  45. Forty-Four
  46. Forty-Five
  47. Forty-Six
  48. Forty-Seven
  49. Forty-Eight
  50. Forty-Nine
  51. Fifty
  52. Fifty-One
  53. Fifty-Two
  54. Fifty-Three
  55. Acknowledgements
  56. About the Author
  57. Also by Sharon Gosling

‘Morning, Ron. Coffee’s up.’

‘Excellent. And who’s this?’ Ron said, spying Toby and then immediately adding, ‘Don’t tell me, you’re the writer chappy McCreedy’s been all of a-flutter about at the waterhole.’

They shook hands, Ron’s grip like a hydraulic clamp. ‘That’s right. It sounds rather as if everyone in the village knows me, whereas I don’t know anyone at all.’

Ron slapped Toby hard on the arm with his free hand. ‘Welcome to Newton Dunbar, lad, where nothing happens and nothing is the talk of the town.’

‘What sort of writer are you then?’ MacDonald asked.

‘I’m a journalist. Or at least, I was,’ Toby clarified, as Ron let go of him and went to get himself coffee. The dog had already settled itself in front of the wood burner behind the counter, sprawled in an untidy semi-circle as close as it could get to the warmth. ‘I’m supposed to be writing my life story, such as it is. Haven’t figured out quite how to do that yet. I thought coming somewhere quiet might help.’

Cullen emitted a devilish cackle. ‘Hear that, Rachel? We’re not to be famous after all! She was worried you were writing about this place.’

‘I wasn’t worried,’ said the woman called Rachel. She was checking emails on a laptop that Toby thought might actually be steam-powered. ‘But as usual in this place, working out the actual truth of a situation is like trying to knit with spaghetti.’ She looked up at Toby with a smile. ‘There are chairs upstairs, if you need somewhere to sit and think. Or work, even.’

‘Thank you. There’s a desk at the cottage, but I’ve spent most of my life writing on my lap or in the backs of moving vehicles. I thought the quiet would help me concentrate, but actually I’m not sure it’ll be all that conducive.’

Her gaze flicked to his leg again, as if trying to put two and two together and unwilling to ask for the answer.

‘Time is wasting!’ Ron cried, throwing himself into the armchair opposite Cullen. ‘I’ve got an evil empire to defeat and the morning is drawing on!’

Rachel met Toby’s eye. ‘Stick around, Mr Hollingwood,’ she said, with deadpan dryness. ‘We can probably supply enough noise and chaos to compensate.’

Two

Edie Strang glanced out of her workshop window and saw a goat knee-deep in her perennials. With a cry she dropped the print she’d been holding and dashed for the door.

‘Oi!’ she yelled, lurching out into the rain.

The goat ignored her, chewing happily on the Orange Princess.

Edie grabbed a watering can from her potting bench and advanced. ‘Get out of it, you little hooligan!’ She banged on the base of the can with her fist, the noise booming over the sound of hard rain bouncing from the edges of her stoneware pots. The goat startled, kicking its heels and dancing backwards across Edie’s neat oblong of lawn.

‘Don’t you dare,’ she hissed, as it turned, its hooves click-clacking on the winding path of old stone slabs that divided up the modest space between flowers and vegetables. ‘You even look at my cavolo nero and I’ll—’ She banged the watering can again, harder this time, and the goat jumped in the air on the spot, like a spring suddenly released from pressure.