Back The Family Secret
Chapters (51)
  1. The Family Secret
  2. Copyright
  3. Praise for Tracy Buchanan’s novels
  4. What readers loved about Tracy Buchanan’s last novel, The Lost Sister …
  5. Dedication
  6. Table of Contents
  7. Prologue
  8. Chapter One
  9. Chapter Two
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Chapter Seven
  15. Chapter Eight
  16. Chapter Nine
  17. Chapter Ten
  18. Chapter Eleven
  19. Chapter Twelve
  20. Chapter Thirteen
  21. Chapter Fourteen
  22. Chapter Fifteen
  23. Chapter Sixteen
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-One
  29. Chapter Twenty-Two
  30. Chapter Twenty-Three
  31. Chapter Twenty-Four
  32. Chapter Twenty-Five
  33. Chapter Twenty-Six
  34. Chapter Twenty-Seven
  35. Chapter Twenty-Eight
  36. Chapter Twenty-Nine
  37. Chapter Thirty
  38. Chapter Thirty-One
  39. Chapter Thirty-Two
  40. Chapter Thirty-Three
  41. Chapter Thirty-Four
  42. Letter to my readers
  43. Acknowledgments
  44. ABOUT THE AUTHOR
  45. With the loss of her mother, Becky aches to find her sister. She knows she cannot move forward in her life without answers…
  46. A girl has gone missing. You’ve never met her, but you’re to blame…
  47. You’d kill to protect your child…Wouldn’t you?
  48. Everything you’ve built your life on is a lie. And no one has been telling the truth for a very long time…
  49. How far would you go for the one you love the most?
  50. Also by Tracy Buchanan
  51. About the Publisher

‘Sixteen,’ I lied. Truth was, I was fifteen, just. And while it was fine to work at that age, my aunt didn’t like me broadcasting it. ‘I don’t get paid much.’

‘So? I used to be like you once, didn’t have two pennies to rub together,’ he said, fire in his eyes. ‘But I did something about it. And you can too if you set your mind to it.’

The next day was a rest day. I got one day off a week and usually spent it walking around London alone, visiting the free museums and attractions. But that day, I pulled on my hand-me-down winter coat and stomped out into the cold armed with a wood-effect Filmo camera I’d ‘borrowed’ off a documentary-maker. He’d been so distracted drinking the night before he didn’t notice me sneak it from his side. I was planning to return it to him when I finished. Well, to the hotel’s lost property anyway, in the hope he’d mention its loss to reception. Sure, I felt slightly guilty. But at least he’d get it back. There were many things in my fifteen years I’d loved and lost, never to be seen again.

The night before, I’d barely got any sleep, playing with the damn thing and trying to figure out how it worked until I finally cracked it at 3am.

As I stepped out of the hotel with it in my bag, I thought of the techniques Reg had mentioned in his book:

Shoot tight. Zoom in on a stabbing hoof. A pecking beak. Two stark wide eyes. These shots can be used to create a story in the editing room.

Get down to the animal’s level, even if it means lying in dirt on your belly.

Film with the sunlight on your back if you want to see the animal’s true colours.

I must have looked a right sight that morning, lying belly down on London’s grimy paths, camera pointing out towards the Thames as I filmed a grey heron diving into water. Or lying on a bench and looking up to the sky to film pigeons in flight. Of course, I wished I was in Alaska instead, filming polar bears, but this would need to do. As I made my way back to the hotel, I walked with my head held high despite the grime all over my skirt. This was the most exciting thing I’d done since leaving home.

I found Reg seated at his usual spot in the hotel’s restaurant at lunch, sipping tea as he read another book. I don’t think he recognised me at first without my black and white waitress uniform on, my long hair down when it was usually up.

I nervously placed the camera on his table. ‘I set my mind to some filming, like you advised.’