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Chapters (51)
  1. Introduction by Michael Bronski
  2. BEGINNING
  3. II
  4. III
  5. IV
  6. V
  7. VI
  8. VII
  9. VIII
  10. IX
  11. X
  12. XI
  13. XII
  14. XIII
  15. MIDDLE
  16. II
  17. III
  18. IV
  19. V
  20. VI
  21. VII
  22. VIII
  23. IX
  24. X
  25. XI
  26. XII
  27. XIII
  28. XIV
  29. XV
  30. XVI
  31. XVII
  32. XVIII
  33. XIX
  34. XX
  35. END
  36. II
  37. III
  38. IV
  39. V
  40. VI
  41. VII
  42. VIII
  43. IX
  44. X
  45. XI
  46. XII
  47. XIII
  48. XIV
  49. XV
  50. XVI
  51. About the Author

On one of the first warm days of April he had become aware of the denk-­dunk of tennis balls being batted back and forth beneath the room where he lectured. It was a pleasant sound; far from interrupting him, it brought a rather poetic accompaniment to his talk which was quite in keeping with the warm sunshine streaming in and the first sensual stirrings of summer which could be felt on the air. Each morning he meant to go to the window and look out at the players when class was dismissed; but for several days, in the intervals of changing classes, he forgot to do so. Then one morning about a month ago he stepped to the window. Twelve young men were playing on the three courts below; they wore white tennis shoes, thick white socks, and white shorts, nothing more; their shoulders were already bright pink with the beginnings of their summer tan. Involuntarily he moved a step back into the dark of the room and stood erect, looking obliquely down through the window at the thrusting lunging arms, the play of muscle across the lean backs, and the almost formless legs that seemed to have been fashioned cleanly and sparely, like pistons or driving rods, for action only; and he surprised in himself a stern disapproval. In his day, even on a campus that was not coeducational, shorts—or at least shorts only—had not been allowed. His irritation did not spring from priggishness. On the contrary, it arose from a full awareness of the Greeklike charm of the scene below: it was a Puritan disapproval because the sight was much too attractive, too pleasant to look at, there was work to be done, and this was no time for play. The vivid scene below started up a swarm of sensual images in his mind, images of youth, exercise, the outdoors which he had ignored too long, and impatience for summer to come. In short, it distracted him. Hundreds walked by the courts and gave no more than a passing glance at the players; but for the single passer-­by who might be too absorbed by the spectacle—or for the one who, standing at his classroom window, was thrown off from his work—the costume was regrettable. Depressed, he went back to his desk in the semi-­dark room to await the next students; and for days, thereafter, the denk-­dunk-­denk of tennis ball and racket continued to provide a kind of soft antiphonal background to his lectures. He wondered if the students were aware that he kept to his theme with difficulty; and for the remainder of the term he did not once go to the window to look down again at the players. . . .

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