Back The Dictionary of Lost Words
Chapters (42)
  1. Map
  2. Prologue | February 1886
  3. PART 1 | 1887–1896
  4. May 1887
  5. April 1888
  6. April 1891
  7. August 1893
  8. September 1896
  9. PART 2 | 1897–1901
  10. August 1897
  11. April 1898
  12. September 1898
  13. August 1901
  14. PART 3 | 1902–1907
  15. May 1902
  16. May 1906
  17. June 1906
  18. December 1906
  19. March 1907
  20. PART 4 | 1907–1913
  21. September 1907
  22. November 1907
  23. November 1908
  24. May 1909
  25. December 1912
  26. January 1913
  27. May 1913
  28. PART 5 | 1914–1915
  29. August 1914
  30. May 1915
  31. July 1915
  32. September 1915
  33. PART 6 | 1928
  34. November 1928
  35. Epilogue | Adelaide, 1989
  36. Author’s Note
  37. Dedication
  38. Acknowledgements
  39. Timeline of the Oxford English Dictionary
  40. Timeline of Major Historical Events Featured in the Novel
  41. About the Author
  42. What’s next onyour reading list?

I didn’t understand.

“Look at ’er face. Never ’eard of a dollymop.” Mabel was not so discreet, and Mrs. Stiles made it known she’d taken offence with a scraping of buckets and a mumbled protest. “Come on, girl,” Mabel said to me. “Take out yer slips.”

Tilda cocked her head.

“She collects words,” said Mabel.

“What kinds of words?”

“Women’s words. Dirty ones.”

I stood dumb, caught with no adequate explanation. It was as though Da had asked me to turn out my pockets.

But Tilda was interested, not appalled. “Really?” she said, taking in the loose fit of my jacket and the daisy chain Lizzie had embroidered around the edge of the sleeves. “Dirty words?”

“No. Well, sometimes. Dirty words are Mabel’s speciality.”

I took out my bundle of blank slips and a pencil.

“Are you a dollymop?” I asked, not sure how offensive it might be but curious to try the word out.

“An actress, though to some it’s the same thing.” She smiled at Mabel. “Our friend tells me that treading the boards was how she got into her particular line of work.”

I began to understand and wrote dollymop in the top-left corner of a slip I’d cut from a discarded proof. These slips were becoming favourites, though the pleasure I took in crossing out the legitimate words and recording one of Mabel’s on the other side was never without an echo of shame.

“Can you put it in a sentence?” I asked.

Tilda looked at the slip, then at me. “You’re quite serious, aren’t you?” she said.

Heat flushed my cheeks. I imagined the slip through her eyes, the futility of it. How odd I must have seemed.

“Give ’er a sentence,” Mabel urged.

Tilda waited for me to look up. “On one condition,” she said, smiling with anticipated satisfaction. “We’re putting on a production of A Doll’s House at New Theatre. You must come to the matinee this afternoon and join us after, for tea.”

“She will, she will. Now give ’er a sentence.”

Tilda took a lungful of air and straightened. Her gaze fell just beyond my shoulder and she delivered her sentence with a working-class accent I’d not detected before. “A coin for the dollymop will keep your lap warm.”

“That’s experience talkin’ if you ask me,” Mabel said, laughing.

“No one asked you, Mabel,” I said. I wrote the sentence in the middle of the slip.

“Is it the same as prostitute?” I asked Tilda.

“I suppose. Though a dollymop is more opportunistic and far less experienced.”

Tilda watched as I fashioned a definition.

“That sums it up perfectly,” she said.

“Your last name?” My pencil hovered.

“Taylor.”

Mabel tapped her whittling knife on the crate to get our attention. “Read it to me, then.”

I looked around at all the market goers.

Tilda held out her hand for the slip. “I promise not to project.”