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Chapters (76)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Mauna Loa: November 21, 1935
  5. 1. Mangoes
  6. 2. Watching Over Him
  7. 3. Rising Winds
  8. 4. The Okawa Fish Market
  9. 5. Beauty and the Beast
  10. 6. Homecoming
  11. 7. Waiting
  12. 8. In the Quiet
  13. Ghost Voices
  14. Carrying On: November 23–25, 1935
  15. 9. Sanctuary
  16. 10. Fire and Ice
  17. 11. The Sugar Train
  18. 12. The Green Bungalow
  19. 13. The House Call
  20. 14. The House on the Hill
  21. Island Voices
  22. The Past, the Present: November 25–26, 1935
  23. 15. Island Boys
  24. 16. Hide-and-Seek
  25. 17. The Bulletin Board
  26. Ghost Voices
  27. You Can’t Hide: November 27–December 4, 1935
  28. 18. A New Direction
  29. 19. One Step Forward
  30. 20. Awakening
  31. 21. Puli Plantation
  32. Island Voices
  33. Lost and Found: December 6–8, 1935
  34. 22. Ashes
  35. 23. The Surprise
  36. 24. The Scenic Express
  37. Ghost Voices
  38. And Then . . .: December 11–16, 1935
  39. 25. Restless
  40. 26. Collecting
  41. 27. Sugarcane
  42. 28. A Visitor
  43. 29. Run
  44. 30. Nightmares
  45. 31. Packing
  46. Ghost Voices
  47. Secrets: December 17–18, 1935
  48. 32. Town Boy
  49. 33. Nori
  50. 34. Naupaka
  51. Ghost Voices
  52. Answers: December 18–20, 1935
  53. 35. Lava
  54. 36. Uncle Koji
  55. 37. The Truth of It
  56. Ghost Voices
  57. Waiting: December 22–26, 1935
  58. 38. Revelations
  59. 39. Safe Places
  60. 40. Mele Kalikimaka
  61. Ghost Voices
  62. Shooting the Moon: December 27–31, 1935
  63. 41. Blackbirds
  64. 42. Mosquitoes
  65. 43. Faith
  66. 44. The River
  67. Ghost Voices
  68. A New Year: January 1–2, 1936
  69. 45. The Beating Heart
  70. 46. January 2, 1936
  71. 47. The Living
  72. Ghost Voices
  73. Hilo: July 28, 1936
  74. 48. The Mango Tree
  75. Acknowledgments
  76. About the Publisher

As it shivered to a stop, Koji eased the sugar train back into the barn. He parted ways with Pedro and walked back up the dirt road to his cottage, only to pause midway and look down at the wide sweep of fields. They spread out before him like a quilt Mariko might have sewn, squares of flat, burned fields, next to those of growing cane that wouldn’t be harvested until next season. The owners kept the cane fields on different yearly rotations to ensure an annual harvest and income. They controlled the plantings, just like they controlled the workers, including him. Koji had conveniently surrendered to a life that Razor worked endlessly to try to change. The years had turned Koji into someone he no longer knew. It hadn’t started out that way; cutting cane had been his pride and provided for his family. Now he was only one of a handful remaining from the early years still working on the plantation.

Koji stood and looked across the cane fields, but there was still no sign of Razor.

Island Voices

Island Voices

RAZOR, 1904

It’s the harvest, yeah, and I’m finally cutting cane. Got a new dog too. Wandered onto our back porch and refused to leave, so he’s the newest member of Kazoku Village and already family. He’s a big, gray shepherd mix, a hapa dog I’m calling Laki, which means Lucky, because he’s one lucky dog to have found me, yeah. Every day when I drudge back to the village after work, he’s there waiting, nipping at the rope that keeps him from running after me and into the fields every morning.

We’ve been squatting in the fields cutting all afternoon when I suddenly stop and look up at the sound of laughter, not the happy kind, but a low, guttural, in-the-throat kind of laughter, raw and cold and callous. Been here long enough to know it can’t be good, yeah. When Koji sees me he stops, too. We’re both sweating in the heat and dust as we stand and pull down the bandanas tied over our noses and mouths and listen. If we’re caught by a luna for standing up too long instead of cutting, we’ll feel the stinging slap of his whip across our shoulders and backs that can leave oozing, angry red welts for weeks.

Still, we stand.