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Chapters (76)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Mauna Loa: November 21, 1935
  5. 1. Mangoes
  6. 2. Watching Over Him
  7. 3. Rising Winds
  8. 4. The Okawa Fish Market
  9. 5. Beauty and the Beast
  10. 6. Homecoming
  11. 7. Waiting
  12. 8. In the Quiet
  13. Ghost Voices
  14. Carrying On: November 23–25, 1935
  15. 9. Sanctuary
  16. 10. Fire and Ice
  17. 11. The Sugar Train
  18. 12. The Green Bungalow
  19. 13. The House Call
  20. 14. The House on the Hill
  21. Island Voices
  22. The Past, the Present: November 25–26, 1935
  23. 15. Island Boys
  24. 16. Hide-and-Seek
  25. 17. The Bulletin Board
  26. Ghost Voices
  27. You Can’t Hide: November 27–December 4, 1935
  28. 18. A New Direction
  29. 19. One Step Forward
  30. 20. Awakening
  31. 21. Puli Plantation
  32. Island Voices
  33. Lost and Found: December 6–8, 1935
  34. 22. Ashes
  35. 23. The Surprise
  36. 24. The Scenic Express
  37. Ghost Voices
  38. And Then . . .: December 11–16, 1935
  39. 25. Restless
  40. 26. Collecting
  41. 27. Sugarcane
  42. 28. A Visitor
  43. 29. Run
  44. 30. Nightmares
  45. 31. Packing
  46. Ghost Voices
  47. Secrets: December 17–18, 1935
  48. 32. Town Boy
  49. 33. Nori
  50. 34. Naupaka
  51. Ghost Voices
  52. Answers: December 18–20, 1935
  53. 35. Lava
  54. 36. Uncle Koji
  55. 37. The Truth of It
  56. Ghost Voices
  57. Waiting: December 22–26, 1935
  58. 38. Revelations
  59. 39. Safe Places
  60. 40. Mele Kalikimaka
  61. Ghost Voices
  62. Shooting the Moon: December 27–31, 1935
  63. 41. Blackbirds
  64. 42. Mosquitoes
  65. 43. Faith
  66. 44. The River
  67. Ghost Voices
  68. A New Year: January 1–2, 1936
  69. 45. The Beating Heart
  70. 46. January 2, 1936
  71. 47. The Living
  72. Ghost Voices
  73. Hilo: July 28, 1936
  74. 48. The Mango Tree
  75. Acknowledgments
  76. About the Publisher

The laughter is coming from the clearing where the wagons are being loaded with cut cane. A group of Chinese men are gathered there, taunting some Filipino “Sakada” workers carrying heavy loads of cane stalks across their shoulders. Don’t know how the Sakadas take it. If it were me, yeah, I would have shut them up a long time ago. But Koji gives me the eye, reminding me to be careful. He has been cutting cane for almost three years and he tells me to stay alert, to watch everything and remain quiet and cautious while working, tells me who I can trust and who I can’t.

“Nothing is as simple as it looks, eh,” Koji reminds me. “Trouble can follow you like a shadow, so you need to watch your back, yeah, keep one step ahead.”

Koji has the ability to ignore it all, while I see the lies and injustices add up. In the fields every day, I hear the Sakada workers whispering their grievances. “They came to our homeland with lies and promises of work and a better life. No schooling, no matter, they say, put your X right there. Is this a better life? Once we arrived from the Philippines, they gave us da dirtiest, most backbreaking work—burning, clearing, and loading da cane onto railcars, ten hours a day, six days a week. Lucky if we receive ninety cents a day!” I look up to see a luna a row away from us. “No talking in the fields!” he yells, snapping his whip. They want us to lick their boots just like the way they have to bow down to the managers and the managers to the owner. I know what the plantation owners are doing. The bastards. They deliberately keep us separated when we’re off the fields so we can’t form any alliances. If the Japanese workers strike, the owners pay more to the Chinese and Filipino workers to take their place. I don’t like how they pit us against each other. I don’t like it at all.

Still, I listen to Koji and we usually steer clear of the fights between the different groups of workers, or with some of the lunas who wield their power with brutal beatings to quash our wills, keep us under their thumbs. They’re cruel to be cruel, I say; the smells of fear and blood are what they jack off to.

We steer clear for as long as we can until we can’t anymore.