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Chapters (76)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Mauna Loa: November 21, 1935
  5. 1. Mangoes
  6. 2. Watching Over Him
  7. 3. Rising Winds
  8. 4. The Okawa Fish Market
  9. 5. Beauty and the Beast
  10. 6. Homecoming
  11. 7. Waiting
  12. 8. In the Quiet
  13. Ghost Voices
  14. Carrying On: November 23–25, 1935
  15. 9. Sanctuary
  16. 10. Fire and Ice
  17. 11. The Sugar Train
  18. 12. The Green Bungalow
  19. 13. The House Call
  20. 14. The House on the Hill
  21. Island Voices
  22. The Past, the Present: November 25–26, 1935
  23. 15. Island Boys
  24. 16. Hide-and-Seek
  25. 17. The Bulletin Board
  26. Ghost Voices
  27. You Can’t Hide: November 27–December 4, 1935
  28. 18. A New Direction
  29. 19. One Step Forward
  30. 20. Awakening
  31. 21. Puli Plantation
  32. Island Voices
  33. Lost and Found: December 6–8, 1935
  34. 22. Ashes
  35. 23. The Surprise
  36. 24. The Scenic Express
  37. Ghost Voices
  38. And Then . . .: December 11–16, 1935
  39. 25. Restless
  40. 26. Collecting
  41. 27. Sugarcane
  42. 28. A Visitor
  43. 29. Run
  44. 30. Nightmares
  45. 31. Packing
  46. Ghost Voices
  47. Secrets: December 17–18, 1935
  48. 32. Town Boy
  49. 33. Nori
  50. 34. Naupaka
  51. Ghost Voices
  52. Answers: December 18–20, 1935
  53. 35. Lava
  54. 36. Uncle Koji
  55. 37. The Truth of It
  56. Ghost Voices
  57. Waiting: December 22–26, 1935
  58. 38. Revelations
  59. 39. Safe Places
  60. 40. Mele Kalikimaka
  61. Ghost Voices
  62. Shooting the Moon: December 27–31, 1935
  63. 41. Blackbirds
  64. 42. Mosquitoes
  65. 43. Faith
  66. 44. The River
  67. Ghost Voices
  68. A New Year: January 1–2, 1936
  69. 45. The Beating Heart
  70. 46. January 2, 1936
  71. 47. The Living
  72. Ghost Voices
  73. Hilo: July 28, 1936
  74. 48. The Mango Tree
  75. Acknowledgments
  76. About the Publisher

“The opposite of life,” she told her friends. She dealt the cards until the deck was evenly divided among them. But when Nori began to explain how the game was played, she realized it was more complicated than she thought.

It took several Saturday afternoons before they all understood how to play Hearts without pausing midway for instructions or to replay a hand. The first time they played a game straight through, Nori rewarded all of them with a cherry cola. With the fish market’s success, Jelly sold fish and worked the lunch counter on Saturdays. Still, it wasn’t long before her other customers simply came in, took what they needed, and left the money in the King Edward cigar box Nori left on the counter rather than interrupt their card game. As time went by, the children who came in to buy candy began calling them the Hilo Aunties as they lingered and decided whether to buy black licorice whips, or chewing gum, or salty dried plums, and dropped their pennies and nickels into the cigar box.

The name stuck.

The Hilo Registry had taken the photo on the second anniversary of the Hilo Aunties playing hearts together. “Shooting the Moon” the photo was titled, the big thrill of the game capturing all thirteen Hearts and the Queen of Spades in one hand, sending all the game-losing points to the other players. The four Hilo Aunties had been seated at their table staring seriously down at their cards, a differing degree of intensity fixed on each of their faces. But as soon as the photo was taken they had all relaxed into laughter and Noelani had tossed her cards across the table. Nori remembered hearing a second click and seeing the flash of the camera, which was the photo used in the paper.

* * *

The following week Nori was sitting in Mariko’s kitchen, giddy over seeing themselves when the photo appeared in the paper. “Slow day for news if we’re the pin-up girls!” Mariko had said. Daniel and Mano were playing outside. Franklin away again working at another construction job, on O‵ahu.

A year later, he was gone for good.

Nori glanced over at Mariko’s empty chair, her absence still a dull ache. She never thought Mariko would be the first Hilo Auntie to leave the table.

Ghost Voices

Ghost Voices

MARIKO, 1913