Chapters (107)
- Cover
- ABOUT THE AUTHORS
- Also by James Patterson
- Dedication
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- CHAPTER 98
- CHAPTER 99
- Are you a fan of fast-paced, gripping thrillers set in the American Deep South?
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
The three of us slowly step out of the truck, hands up, and a sergeant and trooper come over and say, “No civilians allowed here, sorry. Get moving … the city’s under martial law and the French Quarter is being evacuated of all civvies.”
Marlene is somber and quiet, definitely not her usual self. “How … how bad is it?”
“Shit, ma’am,” the trooper says, an African-American private who looks angry and determined. “Dunno about that, but at least the shooting’s died down. Look, you gotta get walking.”
Vanessa says, “Can we drive our truck?”
The sergeant—an older Hispanic woman—says, “I’ll be, the famous ‘Killer Chef’ … no can do, sorry. No civilian traffic allowed.”
I say, “Sergeant, I’m former NOPD. I’ve got vital information about the attack … can I borrow your radio equipment?”
The private laughs. “Yeah, if any of it was working. Seems like we got the wrong frequency crystals for our radio gear. Your government at work.”
The three of us walk gingerly along the nearly deserted streets, passing through two checkpoints manned by the state police—luckily, we weren’t searched, because I would have had a hard time explaining my hidden pistol—and we get to my home in Tremé. At this point, it’s as safe a place to be as anywhere else.
In other words, not that safe at all.
The streets are alive with moving traffic, none of it civilian. Fire trucks and EMS ambulances. Cruisers and unmarked vehicles. Additional National Guard Humvees and trucks. There’s a haze of smoke and a feeling of fear as the three of us keep up a steady pace.
I’ve lived in New Orleans my whole life. I’ve lived through riots. Through Hurricane Katrina.
I’ve never seen anything like this.
And if Billy was telling the truth, there’s more to come.
As calm as it now looks, that thought nearly freezes me with fear.
“You brought your keys, right?” Vanessa asks as we finally shuffle up the path to my town house. “Or are you going to have to bash this doorknob off, too?”
She smiles and touches my shoulder. It’s the tiniest gesture, but it means the world, after the day we’ve all had.
“If y’all are going to be this lovey-dovey,” Marlene says, “I’m gonna sleep in the hammock in the backyard. I’ve been through enough hell today.”
After I get the door open we head straight for the living room and all collapse on the sofa.
“Should we put on the news?” Vanessa asks, arching her back in exhaustion. “See what they’re saying?”
Marlene springs to her feet. But she strides over to my bar cart, not the TV.
“I’ve got a more important question,” she says. “What’s everybody drinking?”
As she fixes us some well-deserved old-fashioneds using my finest bottle of twenty-year Lagavulin Scotch, I flip on the television.