Back The Chef Save as PDF
Chapters (107)
  1. Cover
  2. ABOUT THE AUTHORS
  3. Also by James Patterson
  4. Dedication
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. CHAPTER 56
  61. CHAPTER 57
  62. CHAPTER 58
  63. CHAPTER 59
  64. CHAPTER 60
  65. CHAPTER 61
  66. CHAPTER 62
  67. CHAPTER 63
  68. CHAPTER 64
  69. CHAPTER 65
  70. CHAPTER 66
  71. CHAPTER 67
  72. CHAPTER 68
  73. CHAPTER 69
  74. CHAPTER 70
  75. CHAPTER 71
  76. CHAPTER 72
  77. CHAPTER 73
  78. CHAPTER 74
  79. CHAPTER 75
  80. CHAPTER 76
  81. CHAPTER 77
  82. CHAPTER 78
  83. CHAPTER 79
  84. CHAPTER 80
  85. CHAPTER 81
  86. CHAPTER 82
  87. CHAPTER 83
  88. CHAPTER 84
  89. CHAPTER 85
  90. CHAPTER 86
  91. CHAPTER 87
  92. CHAPTER 88
  93. CHAPTER 89
  94. CHAPTER 90
  95. CHAPTER 91
  96. CHAPTER 92
  97. CHAPTER 93
  98. CHAPTER 94
  99. CHAPTER 95
  100. CHAPTER 96
  101. CHAPTER 97
  102. CHAPTER 98
  103. CHAPTER 99
  104. Are you a fan of fast-paced, gripping thrillers set in the American Deep South?
  105. CHAPTER 1
  106. CHAPTER 2
  107. CHAPTER 3

Then I shift into Reverse, cut the wheel sharply, and jam the gas even harder.

I roar backward—up and over the arched, narrow bridge. I swerve and scrape against the railing—once, twice—until I get control and straighten out.

As soon as I’ve crossed the canal, I make a sloppy J-turn. Then I shift back into Drive and tear out of there. Soon I’m speeding along the potholed service road parallel to the waterway, back in the direction I came.

I’m almost giddy with excitement. But after a couple blocks, that feeling starts to fade. Something’s wrong.

I slow down a bit and listen. I don’t hear any sirens.

I glance in my rearview. I don’t see any SUVs.

Seriously?

I was banking on the agents coming after me! My plan was to lead them on a high-speed chase—right to the safe house’s doorstep. What the hell just happened?

Maybe Morgan was bluffing about my arrest. Or maybe he didn’t think it was worth the effort to go after me, with his resources stretched so thin. I don’t know whether to be relieved that he called off the pursuit … or terrified to be on my own.

Screw it. I’ve made it this far by myself. If Angus was telling the truth—and I sincerely believe that he was—I’m hitting that safe house.

Apparently, with no support. No backup.

Which means no mistakes.

And no second chances.

CHAPTER 66

Flood street. Not the smartest name for a road in New Orleans. Like having an “Earthquake Avenue” in San Francisco. Or a “Tornado Boulevard” in Kansas.

But based on Angus’s tip, that’s where I am. And I’ve made it here in just thirteen minutes.

I’m still a little unsettled that the feds aren’t on my tail. And I’m really starting to wish somebody had my back as I drive through this eerily quiet neighborhood. Earlier I tried calling my old boss Cunningham, but my calls go straight to voicemail, and I briefly considered dialing 911 for an NOPD response, but I can’t stand the thought of wasted minutes explaining to a dispatcher what I had learned and what was going on.

Like most of the Lower Ninth Ward, Katrina beat Holy Cross to shit. Its namesake—the old Holy Cross School building, built in 1879—was so damaged by the flooding it had to be razed. All these years later, the site is still an empty lot. However, the neighborhood’s other architectural landmark, its famous Doullut “steamboat houses,” a pair of homes that look like old ships, are still standing proudly near the river.

Many of the other homes I drive past, though, aren’t doing that well at all. Some are freshly painted and well maintained, with manicured lawns and glowing porch lights. Others look like crumbling mausoleums, ramshackle and dark.