Chapters (107)
- Cover
- ABOUT THE AUTHORS
- Also by James Patterson
- Dedication
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- CHAPTER 98
- CHAPTER 99
- Are you a fan of fast-paced, gripping thrillers set in the American Deep South?
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
Then I shift into Reverse, cut the wheel sharply, and jam the gas even harder.
I roar backward—up and over the arched, narrow bridge. I swerve and scrape against the railing—once, twice—until I get control and straighten out.
As soon as I’ve crossed the canal, I make a sloppy J-turn. Then I shift back into Drive and tear out of there. Soon I’m speeding along the potholed service road parallel to the waterway, back in the direction I came.
I’m almost giddy with excitement. But after a couple blocks, that feeling starts to fade. Something’s wrong.
I slow down a bit and listen. I don’t hear any sirens.
I glance in my rearview. I don’t see any SUVs.
Seriously?
I was banking on the agents coming after me! My plan was to lead them on a high-speed chase—right to the safe house’s doorstep. What the hell just happened?
Maybe Morgan was bluffing about my arrest. Or maybe he didn’t think it was worth the effort to go after me, with his resources stretched so thin. I don’t know whether to be relieved that he called off the pursuit … or terrified to be on my own.
Screw it. I’ve made it this far by myself. If Angus was telling the truth—and I sincerely believe that he was—I’m hitting that safe house.
Apparently, with no support. No backup.
Which means no mistakes.
And no second chances.
CHAPTER 66
Flood street. Not the smartest name for a road in New Orleans. Like having an “Earthquake Avenue” in San Francisco. Or a “Tornado Boulevard” in Kansas.
But based on Angus’s tip, that’s where I am. And I’ve made it here in just thirteen minutes.
I’m still a little unsettled that the feds aren’t on my tail. And I’m really starting to wish somebody had my back as I drive through this eerily quiet neighborhood. Earlier I tried calling my old boss Cunningham, but my calls go straight to voicemail, and I briefly considered dialing 911 for an NOPD response, but I can’t stand the thought of wasted minutes explaining to a dispatcher what I had learned and what was going on.
Like most of the Lower Ninth Ward, Katrina beat Holy Cross to shit. Its namesake—the old Holy Cross School building, built in 1879—was so damaged by the flooding it had to be razed. All these years later, the site is still an empty lot. However, the neighborhood’s other architectural landmark, its famous Doullut “steamboat houses,” a pair of homes that look like old ships, are still standing proudly near the river.
Many of the other homes I drive past, though, aren’t doing that well at all. Some are freshly painted and well maintained, with manicured lawns and glowing porch lights. Others look like crumbling mausoleums, ramshackle and dark.