Back The Chef Save as PDF
Chapters (107)
  1. Cover
  2. ABOUT THE AUTHORS
  3. Also by James Patterson
  4. Dedication
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. CHAPTER 56
  61. CHAPTER 57
  62. CHAPTER 58
  63. CHAPTER 59
  64. CHAPTER 60
  65. CHAPTER 61
  66. CHAPTER 62
  67. CHAPTER 63
  68. CHAPTER 64
  69. CHAPTER 65
  70. CHAPTER 66
  71. CHAPTER 67
  72. CHAPTER 68
  73. CHAPTER 69
  74. CHAPTER 70
  75. CHAPTER 71
  76. CHAPTER 72
  77. CHAPTER 73
  78. CHAPTER 74
  79. CHAPTER 75
  80. CHAPTER 76
  81. CHAPTER 77
  82. CHAPTER 78
  83. CHAPTER 79
  84. CHAPTER 80
  85. CHAPTER 81
  86. CHAPTER 82
  87. CHAPTER 83
  88. CHAPTER 84
  89. CHAPTER 85
  90. CHAPTER 86
  91. CHAPTER 87
  92. CHAPTER 88
  93. CHAPTER 89
  94. CHAPTER 90
  95. CHAPTER 91
  96. CHAPTER 92
  97. CHAPTER 93
  98. CHAPTER 94
  99. CHAPTER 95
  100. CHAPTER 96
  101. CHAPTER 97
  102. CHAPTER 98
  103. CHAPTER 99
  104. Are you a fan of fast-paced, gripping thrillers set in the American Deep South?
  105. CHAPTER 1
  106. CHAPTER 2
  107. CHAPTER 3

Before I get out and confront him, I unlock my glove box and grab my 9mm Smith & Wesson M&P. I stuff the black pistol into my jeans and cover it with my shirt.

Yes, the man looks older, slow, and all alone.

But I’m not taking any chances.

And I’m not playing any more games.

“As-salaam-alaikum,” I say, using a respectful Arabic greeting as I approach.

“Wa-alaikum-salaam,” he replies with a wary look. “May I help you?”

“This is the headquarters of Crescent Care, yes?” I ask. “I’m Greg Cole, a reporter with NOLA-News dot com. I’m writing a piece on your organization and had a few questions.”

“Ah, I’m sorry, I’m just the office manager,” he says. “You need to speak to my boss.”

“No problem,” I say, flashing him my best smile, trying to put him at ease. “How can I reach him?”

“He is … out of the country,” he says. “But he is returning in a few weeks.”

A few weeks, huh? How suspiciously convenient. So I go with my gut.

“That would be Saleel el-Sharif, right?”

That’s the name of the charity’s point person listed in the Needhams’ financial records.

The man in front of me doesn’t say a word, but his nervous eyes tell me a lot.

I step forward and say, “Why do I get the feeling … I’m staring right at him?”

He says, “Then your feeling would be wrong.”

“Really? I doubt that, since I saw a photo of Saleel el-Sharif after doing a very extensive internet search. And the photo I saw matches you, right down to your bushy white beard. Which means you’re Saleel el-Sharif, or his twin. Which is it?”

The man’s expression subtly changes into one I’ve seen a thousand times before in my career. A suspect who’s just been caught.

Even though he doesn’t know I’m bullshitting him. As far as I know, there’s not a single photo of Saleel el-Sharif on the internet.

But this fellow obviously doesn’t know that.

“You have clearly done your research,” he says. “Very good. What would you like to know?”

“Everything,” I say.

And I subtly lift my shirt, exposing my concealed handgun.

His eyes widen in shock. He glances up and down the block. A few cars are driving by, but we’re the only people out on the street.

“Let’s go inside,” I say. “Nice and slow.”

CHAPTER 49

El-Sharif nervously leads me into the reception area, limping more and bumping into a few piled cardboard boxes. At the wall, he flips up a few light switches and overhead fluorescent lights click-click-click into life. It’s a pretty depressing space. A few folding chairs arranged along the walls. Some old flyers and photographs on a bulletin board. The only other decoration, a large and faded poster of the Great Mosque of Mecca, tacked on a far wall.