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Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

I’m not a man that men like. I’ve never tried to be. I think of Euan’s smug superiority; Thom’s snide asides. I think of the deep and angry wound my confession has left inside me. The expression on Charlie’s face when he called me an arsehole.

I grab a tighter hold on the swinging bag as I lean forwards, turn the key back to neutral, and press the start button again. Finally the four-stroke engine rumbles into life, and I accelerate fast away from that shadow between the mountains. I take the corner back onto the road too tightly, momentarily rocking the ATV onto two wheels. And I keep going, splashing west through mud and freezing water, and throttling off only when home is in sight, its light and warmth spilling over my skin.

I will protect myself and my family. And I will trust nothing – no one – that isn’t mine. That’s what people do. What they have always done. No one is going to chase me away. No one.

CHAPTER 20

The ruined church outside Blairmore always looks less benign in daylight than it does at night; mean and peremptory, even without a roof or windows. I flinch when two bickering crows launch themselves off a stone corbel to fly across my path, reluctantly reminded of Charlie’s vándr-varði; the three mummified birds inside my rucksack in the mudroom.

I haven’t spoken to Charlie since that day on Big Beach almost three weeks ago now; Kelly, for nearly as long. Will and I have been living inside a bubble of sex and sleep and little else, and I feel guilty. It’s the only reason I’m heading into Blairmore. I glance across at the blanket bog ahead of Ben Donn. The careful piles of heather-and-moss turf stacked beside the road. The peat harvest has begun to loom very large in my mind. I was never supposed to still be here now, in April, never mind May. But the dread that grabs hold of me every time I think about leaving, about going back to London, looms even larger.

When I get to the village, there’s no answer at Charlie’s cottage, so I start making my way towards the pub. Fiona MacDonald is on her knees in her small front garden. When she sees me, she stands up.

‘Maggie.’ Her smile is warm; today there are no anxious lines creasing her forehead or the skin around her eyes. ‘Going to see Kelly?’

‘Yes, I thought I’d—’

‘I think she’s working in the pub today. Restocking the cellar.’

‘Oh.’

‘Can I maybe offer you a coffee? Tea?’

She’s nervous, I realise. Not anxious, but definitely nervous. She’s taken off her gardening gloves, and her fingers wind restlessly around one another.

‘Um … I really should—’

‘Alec’s not here.’ Her cheeks flush pink. ‘He went back to the rigs a few weeks ago. And Sheena’s in the shop until six.’ She blinks twice. ‘Are you still writing your story?’

My nod is automatic, if only because it’s easier than saying no.