Back The Blackhouse Save as PDF
Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

‘We lied to you. That was why. Twenty-five years ago, a man did die here. He drowned.’ His gaze moves over my shoulder, up towards the bluffs. ‘And his name was Andrew.’

CHAPTER 4

End of September 1993

Robert

We’re all guilty of something, my father always said. But the biggest sin is fear. And never facing it. That was not his sin, of course. Only mine. This morning, the sun is high. It lights up the occasional sprays of spindrift in silver-white sparks. From this height, the ocean looks endless like the sky. Blue and quiet. But the storms are coming. I can see them in the spray blown from the crests of waves and in the scattered whitecaps out towards the horizon. In the slow steady leaching of light from the sky, a little earlier each day. And I can feel them in the air and against my skin. A prickle. A shiver of old fear.

Today, there are no boats on the horizon, but I can see the red-and-white-striped Unity returning to the slip at Bàgh Fasgach. Calum sees it too and races along the shoreline, kicking up water, his high giggles catching and riding the wind. And something inside my chest gets tight with hope.

Once, many years ago, I stood on a headland just like this and looked out at the same ocean. I was alone and afraid and full of despair. But I vowed even then that I would come back again. I’d come back in spite of the storms. In spite of the fear. In spite of the despair. I had hope. Because somehow I knew that one day things would be different. One day I’d stop being afraid. I would come back. And all would be well.

And so, here I am.

On days when I’m less certain – when I wonder why I returned to the islands at all – I walk the length of this headland, to the very limits of my own leased land, and I remember how it was in Aberdeen. That cavernous windowless building, full of noise and blood. Stainless-steel worktops and the stink of fish guts that I could never scrub off, no matter how I tried. The claustrophobia – the suffocation – that I feel when I look out at that ocean is not the same. And it’s no match for the feeling I get when I walk Àrd Chreag; when I look at the land, my flock alongside or out in the pasture beyond, their black Hebridean coats bleached brown by the sun.

No son of mine will ever be a farmer.

And maybe that’s true, because I don’t feel like much of one. Breeding season is less than one month away, and already I’m certain it will go badly; that I’ll find some way to screw it up. The summer was wet, and the bere barley and small oat yield too poor; neither will provide enough fodder to see us through winter. Too often when I’m rounding up the flock to move pasture, I find myself looking out at the sea instead. Watching for the high masthead lights of the pelagic and whitefish trawlers out of Steòrnabhagh and Port Nis in the pink-silver of dawn; their radars, stacks, and gantries silhouettes against the horizon. Listening for the rattles and shouts of the smaller, nearer creel boats from Bàgh Fasgach, A’ Chàrnach, and Miabhaig. The low diesel rumble of their engines; the high impatient shrieks of the gulls. They are the sounds of my memory, my childhood. Just like my father’s voice: low, slow, and always angry.