Back The Blackhouse Save as PDF
Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

‘I’d … like to apologise to you for the way we’ve been,’ Fiona says. ‘And I’d like to explain. To help.’

For a moment, I hesitate. But one of Dr Abebe’s rules is that I should never shy away from facing what should be faced. Confronted. Because I’ve always given myself an easy out and called it caution. Or in this case, perhaps happiness.

Fiona walks back towards her open front door. ‘Come in. Please.’

There’s someone watching from the neighbouring cottage’s window. As I follow Fiona down the path, they move back out of sight.

‘Coffee or tea?’ Fiona says, as she leads me into a surprisingly spacious open-plan living area that leads to a small kitchen and French doors.

‘Coffee, please. Just black, no sugar.’

I sit on the sofa. There are a couple of framed photos on an otherwise empty pine sideboard: one a landscape studio shot of Fiona, Alec, and a teenage Sheena – Sunday best and awkward grimaces – and a much smaller, older photo of a boy in school uniform: a dark cowlick and a gap-toothed smile.

‘That was taken about a year before,’ Fiona says, coming back from the kitchen with a tray. She briefly closes her eyes as she sets it down. ‘I’ve never been able to stop doing that. It’s like the night Lorne died, time reset to zero. And everything became before or after.’ She hands me a steaming mug. ‘How Alec’s been with you … is unforgivable. I could say grief made him that way, but it would only partly be true.’ She looks at the photos again. ‘He’s always had a temper. Been too quick to judge. Sheena too. She’s her father’s daughter, all right.’

‘You don’t need to apologise.’ I think of Alec’s blazing eyes when he wrenched open the phone box’s door. The rage in them when I thought he was going to hit me. The ragged sobs that shuddered through his body, bending him almost double. And then Sheena’s You’re not safe here.

‘You must find me pathetic.’ Fiona’s eyes fill with tears, and she presses the backs of her hands against her pale, freckled cheeks. ‘But it’s … this is always a very bad time of year for me. For us.’

Because it’s April. I suddenly realise that the anniversary of Robert’s and Lorne’s deaths is in just three days.

‘I’m sorry. I didn’t—’

‘Lorne was hyperactive. Couldn’t sit still for even a minute.’ She clasps her fingers together briefly and then lets them go. ‘The GP on the mainland diagnosed ADHD, tried to prescribe him some pills, but I never let him take them.’ Her smile is thin. ‘I remember you, you know, back in ’99. You were just like him – a whirling dervish. It was terrifying, looking after him. Especially when Alec bought him that bloody dinghy. Every day, Lorne would come home full of wild stories and the battle scars to prove them. My blood pressure got so high at one point, the GP tried to use that as the best argument for medicating Lorne.’