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Chapters (32)
  1. The Alienist by Machado de Assis
  2. Title page
  3. I. How Itaguai Acquired a Madhouse
  4. II. A Torrent of Madmen
  5. III. God Knows What He is Doing
  6. IV. A New Theory
  7. V. The Terror
  8. VI. The Rebellion
  9. VII. The Unexpected
  10. VIII. The Druggist’s Dilemma
  11. IX. Two Beautiful Cases
  12. X. The Restoration
  13. XI. Release and Joy
  14. XII. The Last Part of the Fourth Item
  15. XIII. Plus Ultra
  16. Notes
  17. Illuminations for The Alienist by Machado de Assis
  18. Title page
  19. Machado de Assis’ Rio de Janeiro
  20. The Bay of Rio by Fannie E. Coe
  21. The City and Its Institutionsby A.J. Lamoureux
  22. Photograph
  23. Photograph
  24. Reading I
  25. Photograph
  26. Art and Insanity in the 19th century
  27. Genius and Insanityby Dr. William Hirsch
  28. Reading II
  29. Illustration
  30. Illustration
  31. Reading III
  32. Photograph

Facing on the western side of the Campo are the Senate and Mint, and on the eastern side the City Hall and National Museum. The central station of the D. Pedro II railway is at its northwestern corner. There are several other public squares in the city, most of them with small gardens, but none of them offer any special attraction. The Praca Municipal in the Sande district possesses a fountain whose distinctive feature is a granite column commemorating the landing there of the Empress in 1843. The public garden at the Largo do Machado—officially designated as the “Praca Duque de Caxias” —lying just at the entrance to the Larangeiras valley, possesses some attractions, but none of great interest. By far the prettiest garden in the city, though not the largest, is the “Passeio Publico,” which is Famio situated on the shore of the bay facing the harbor entrance. This charming little garden was laid out by Valentim da Fonseca e Silva under the orders of Viceroy Luiz de Vasconcellos e Souza, and was formally opened in 1783. Many of its original features have now disappeared, but the garden still retains most of the characteristic beauties of its first design. It is filled with choice native and exotic plants in whose arrangement exceptional good taste has been shown. For its present appearance much credit is due to its efficient superintendent Dr. A. Glaziou, under whose direction the garden, which had fallen into a state of great neglect, was thoroughly reformed and improved in 1861. In this improvement the front wall was substituted by an iron fence, which was set farther back to widen the street. On the side facing the bay is a large elevated terrace, which is a favorite resort for evening promenades. From this spot can be obtained a fine view of the lower bay and harbor entrance. Whether for a stroll through its winding, shady walks and a view from its terrace in the day time, or for a promenade through its shadowy gas-lighted paths and on its crowded terrace in the cool of the evening, with the sounds of music stealing softly through the foliage, the Passeio Publico is a place which never fails to give pleasant impressions. More attention has been bestowed upon other public gardens of the city, but this oldest of Rio’s pleasure resorts still holds first place in the affections of the people. The National Library and Casino face upon this garden.

—from “The City and Its Institutions,” The Handbook of Rio de Janeiro, by A.J. Lamoureux, 1887

Photograph

Photograph 1

Botanical Garden, Rio de Janeiro, by William Bell, 1882

Photograph

Photograph 2

View of Rio de Janeiro, from Ilha das Cobras, 1885, by The Editors of the Rio News

Reading I

“The Fortune Teller”
by Machado de Assis