Chapters (72)
- Cover
- Dedication
- Prologue
- Part I
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Part II
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Epilogue
- Author’s Note
- Acknowledgments
- About the Author
- Also by Nadia Hashimi
- About the Publisher
“And made a few friends along the way, didn’t you?” Antonia replied glibly.
Tilly slurped her tea loudly, her brightened eyelids fluttering over the rim as she ignored her daughter’s comment.
“I know my home. I can find everything. You go alone, you will come back with nothing,” I warned. Antonia paced the living room, one hand on her hip.
“Fine,” she said. “But we’ll need to move carefully so we’re not noticed. Do you think you can do that?”
As planned, Antonia purchased a blue chadori from the market. Tilly ran her fingers over the mesh window and draped the supple fabric over her arm.
“Nia, do you remember the costume I wore in that production of The Glass Menagerie?”
“How could I forget? I sat through twenty-four performances,” Antonia said dryly.
“Twenty-four sold-out performances,” Tilly corrected.
The following day I wore one of the dresses Antonia had bought for me from the same secondhand shop my mother used to frequent. Antonia pulled her hair back, then loosened it and retied it. In the cover story I’d devised, Antonia would play the part of an Afghan woman too modest to show her face in public or speak to strange men. Since I was a child, I would speak for her.
“It’s a marvelous plan, Nia,” Tilly said, nodding her head in approval. “One that requires a bit of performance even in the absence of dialogue. Girls, forget you’re acting. Be who you say you are and you’ll have the audience wrapped around your dainty little fingers.”
“Are you okay?” Antonia asked me. I tensed, realizing fear was a contagion and that Nia and I were at risk of infecting each other with it. I stood and put my hand on the doorknob, hoping bravery was just as transmissible.
Tilly squeezed us both and kissed our cheeks. She stood in the doorway to see us off.
“You’ll both be spectacular!” she said, as if we were headed off to our first day of school.
I kept my gaze up but my head lowered. At the end of Chicken Street, Antonia whispered to me to slow down. My foot had been healing rapidly, and I was moving faster than Antonia could. As I watched her feet catch on the long hem of the chadori, I was reminded of a joke my mother had once made.
The longer the chadori, the less likely people are to trip and fall, she said. I had looked confused. Not the woman wearing the chadori, she clarified, but the perverted men who gawk at women’s ankles.