Chapters (72)
- Cover
- Dedication
- Prologue
- Part I
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Part II
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Epilogue
- Author’s Note
- Acknowledgments
- About the Author
- Also by Nadia Hashimi
- About the Publisher
Mom bends at the waist, her spine curving as she brings her face toward her knees in a yoga pose that is sister to a prayer posture. I do the same but less gracefully, touching my hands to my knees and drawing a deep breath. We rise and kneel in synchrony, then bring our heads to the floor. Mom’s hands are stretched out in front of her in a child’s pose, balasana. I touch my forehead to the comforter and hear my mother whisper the word for this spiritual submission—sajada.
The Arabic words float in my consciousness, but I don’t reach for them. My head grows heavy, as if I am a tipped hourglass and it is filling with sand. I come up slowly into a kneeling position. The desert in me rearranges once more. Sands shift back into place and my chest lightens.
“There’s a saying I heard once,” Mom shares. “Prayer is you talking to God. But meditation is God talking to you.”
The warbling of a bird blends into our thoughts.
“I remember Tilly sitting on the roof of the apartment one day with this wild glow on her face . . .” My words come out in a sputter. When I see Mom wipe a tear from her cheek, I stop. I could kick myself. “Oh, Mom. I’m so sorry. I didn’t mean to upset you.”
“Don’t be sorry,” Mom insists, her face pinched. She wraps an arm around me. “You know, we’re so damned afraid that talking about the ones we’ve lost will hurt us as much as losing them did. So we just stop talking about them. But that’s when we truly lose them.”
She’s right. I’ve stopped myself from thinking about my family because I’m afraid of spiraling into grief that has no bottom, into a place from which I cannot climb out.
“When I was a kid and I lost my dad, people told me I had to move on. They made me think grief was like a cold,” she continues. “If you don’t act sick, you’ll get better. And if you don’t get over it in a week, then you’re weak or there’s something really wrong with you. But I think it’s okay to mourn people out loud for more than a few days. I never said that to you. I’m sorry, I didn’t know better.”
In that moment, I realize why I’ve lived my adult life feeling like my insides are made of sandpaper. I’m just as culpable as Shair in robbing myself of my family. I have not allowed them to be part of me, failing to understand that their light can be my dawn—that a good day begins with a good mourning.