Chapters (72)
- Cover
- Dedication
- Prologue
- Part I
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Part II
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Epilogue
- Author’s Note
- Acknowledgments
- About the Author
- Also by Nadia Hashimi
- About the Publisher
“Who is Omar?” I ask.
“OMAR is not a person, sister,” Waleed replies, cutting the steering wheel sharply to the left to avoid a pothole.
The rest of the day is dizzying.
We see buildings buckled by rockets rained on the city from a distance, the mosque my father used to attend for Jumaa prayers, and a movie theater in the early stages of reconstruction.
Children selling bottles of soda or sticks of gum swarm our car at intersections. They are insistent, smiling through chapped lips. Spotting our cameras, they want their pictures taken.
“Hollywood,” one calls out, as he puts a hand on his hip.
“Titanic!” yells another, sticking both his arms out like he’s on the stern of the ship embracing an expanse of sea.
I am laughing.
I am crying.
I am thankful I am not alone.
Waleed takes us to a building on the outskirts of town. When the sign comes into view, I learn that OMAR is an acronym standing for Organization for Mine Clearance and Afghan Rehabilitation. We step out of the car and take a moment to fix our scarves and jackets before we walk to the entrance of the land-mine museum. A man in a hunter-green tunic and pantaloons runs over to us and announces that the museum is currently closed. In the field behind him are a couple of helicopters and a tank.
Waleed fishes a few bills out of his pocket, brightening the guard’s face. He swings the door open and begins to give us a tour of the collection. We find mortars, AK-47s, a Molotov cocktail, bricks of TNT, and the weighted blue protective suit worn by de-miners. Mines of all shapes and sizes sit in glass display cases, like archaeological discoveries. Innocent items were booby-trapped so that when a child stooped to pick up a doll, her touch would trigger a blast that splintered her leg bones. The more casualties, the closer they were to winning the war.
Waleed tells us that plastic mines evade metal detectors, so de-miners must feel around for them, pluck each one painstakingly from the earth. Occasionally a wandering goat or nomad trips a wire and is pierced with ball bearings of nails. Small children have wandered into fields and disappeared in one clap of thunder.
Afghanistan does not have one million goats, Waleed tells us, nor one million chickens, nor one million schools—but the dead, the wounded, the missing, and the bombs can be counted in the millions.
Waleed’s math has teeth. Clay makes notes on a small pad, and I take a few photos that I might later delete. When we leave, our next stop is the school I attended as a child. Girls with white headscarves pinned primly under their chins watch me from the corners of their eyes, whispering conspiratorially to one another and clutching books to their chests.