Back Sparks Like Stars
Chapters (72)
  1. Cover
  2. Dedication
  3. Prologue
  4. Part I
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Part II
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Chapter 60
  66. Chapter 61
  67. Epilogue
  68. Author’s Note
  69. Acknowledgments
  70. About the Author
  71. Also by Nadia Hashimi
  72. About the Publisher

“Who is Omar?” I ask.

“OMAR is not a person, sister,” Waleed replies, cutting the steering wheel sharply to the left to avoid a pothole.

The rest of the day is dizzying.

We see buildings buckled by rockets rained on the city from a distance, the mosque my father used to attend for Jumaa prayers, and a movie theater in the early stages of reconstruction.

Children selling bottles of soda or sticks of gum swarm our car at intersections. They are insistent, smiling through chapped lips. Spotting our cameras, they want their pictures taken.

“Hollywood,” one calls out, as he puts a hand on his hip.

“Titanic!” yells another, sticking both his arms out like he’s on the stern of the ship embracing an expanse of sea.

I am laughing.

I am crying.

I am thankful I am not alone.

Waleed takes us to a building on the outskirts of town. When the sign comes into view, I learn that OMAR is an acronym standing for Organization for Mine Clearance and Afghan Rehabilitation. We step out of the car and take a moment to fix our scarves and jackets before we walk to the entrance of the land-mine museum. A man in a hunter-green tunic and pantaloons runs over to us and announces that the museum is currently closed. In the field behind him are a couple of helicopters and a tank.

Waleed fishes a few bills out of his pocket, brightening the guard’s face. He swings the door open and begins to give us a tour of the collection. We find mortars, AK-47s, a Molotov cocktail, bricks of TNT, and the weighted blue protective suit worn by de-miners. Mines of all shapes and sizes sit in glass display cases, like archaeological discoveries. Innocent items were booby-trapped so that when a child stooped to pick up a doll, her touch would trigger a blast that splintered her leg bones. The more casualties, the closer they were to winning the war.

Waleed tells us that plastic mines evade metal detectors, so de-miners must feel around for them, pluck each one painstakingly from the earth. Occasionally a wandering goat or nomad trips a wire and is pierced with ball bearings of nails. Small children have wandered into fields and disappeared in one clap of thunder.

Afghanistan does not have one million goats, Waleed tells us, nor one million chickens, nor one million schools—but the dead, the wounded, the missing, and the bombs can be counted in the millions.

Waleed’s math has teeth. Clay makes notes on a small pad, and I take a few photos that I might later delete. When we leave, our next stop is the school I attended as a child. Girls with white headscarves pinned primly under their chins watch me from the corners of their eyes, whispering conspiratorially to one another and clutching books to their chests.