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Contents ( 18)
  1. Dedication
  2. CONTENTS
  3. ILLUSTRATIONS
  4. 1ST STANZA BEAMQUAKE
  5. 2ND STANZA THE PERSISTENCE OF MAGIC
  6. 3RD STANZA TRUDY AND MIA
  7. 4TH STANZA SUSANNAH’S DOGAN
  8. 5TH STANZA THE TURTLE
  9. 6TH STANZA THE CASTLE ALLURE
  10. 7TH STANZA THE AMBUSH
  11. 8TH STANZA A GAME OF TOSS
  12. 9TH STANZA EDDIE BITES HIS TONGUE
  13. 10TH STANZA SUSANNAH-MIO, DIVIDED GIRL OF MINE
  14. 11TH STANZA THE WRITER
  15. 12TH STANZA JAKE AND CALLAHAN
  16. 13TH STANZA “HILE, MIA, HILE, MOTHER”
  17. PAGES FROM A WRITER’S JOURNAL CODA
  18. Wordslinger’s Note

Then, blackness.

(not blackness)

No, not complete blackness. There were blinking lights. The low glow of television screens that were, for the time being, projecting no pictures but only soft gray light. The faint hum of motors; the click of relays. This was

(the Dogan Jake’s Dogan)

some sort of control room. Maybe a place she had constructed herself, maybe her imagination’s version of a Quonset hut Jake had found on the west side of the River Whye.

The next thing she remembered clearly was being back in New York. Her eyes were windows she looked through as Mia stole some poor terrified woman’s shoes.

Susannah came forward again, asking for help. She meant to go on, to tell the woman she needed to go to the hospital, needed a doctor, she was going to have a baby and something was wrong with it. Before she could get any of that out, another labor pain washed over her, this one monstrous, deeper than any pain she had ever felt in her life, worse even than the pain she’d felt after the loss of her lower legs. This, though—this—

“Oh Christ,” she said, but Mia took over again before she could say anything else, telling Susannah that she had to make it stop, and telling the woman that if she whistled for any John Laws, she’d lose a pair of something a lot more valuable to her than shoes.

Mia, listen to me, Susannah told her. I can stop it again—I think I can—but you have to help. You have to sit down. If you don’t settle for awhile, God Himself won’t be able to stop your labor from running its course. Do you understand? Do you hear me?

Mia did. She stayed where she was for a moment, watching the woman from whom she’d stolen the shoes. Then, almost timidly, she asked a question: Where should I go?

Susannah sensed that her kidnapper was for the first time becoming aware of the enormous city in which she now found herself, was finally seeing the surging schools of pedestrians, the floods of metal carriages (every third one, it seemed, painted a yellow so bright it almost screamed), and towers so high that on a cloudy day their tops would have been lost to view.

Two women looked at an alien city through one set of eyes. Susannah knew it was her city, but in many ways, it no longer was. She’d left New York in 1964. How many years further along was this? Twenty? Thirty? Never mind, let it go. Now was not the time to worry about it.

Their combined gaze settled on the little pocket park across the street. The labor pains had ceased for the time being, and when the sign over there said WALK, Trudy Damascus’s black woman (who didn’t look particularly pregnant) crossed, walking slowly but steadily.

On the far side was a bench beside a fountain and a metal sculpture. Seeing the turtle comforted Susannah a little; it was as if Roland had left her this sign, what the gunslinger himself would have called a sigul.