Contents ( 18)
- Dedication
- CONTENTS
- ILLUSTRATIONS
- 1ST STANZA BEAMQUAKE
- 2ND STANZA THE PERSISTENCE OF MAGIC
- 3RD STANZA TRUDY AND MIA
- 4TH STANZA SUSANNAH’S DOGAN
- 5TH STANZA THE TURTLE
- 6TH STANZA THE CASTLE ALLURE
- 7TH STANZA THE AMBUSH
- 8TH STANZA A GAME OF TOSS
- 9TH STANZA EDDIE BITES HIS TONGUE
- 10TH STANZA SUSANNAH-MIO, DIVIDED GIRL OF MINE
- 11TH STANZA THE WRITER
- 12TH STANZA JAKE AND CALLAHAN
- 13TH STANZA “HILE, MIA, HILE, MOTHER”
- PAGES FROM A WRITER’S JOURNAL CODA
- Wordslinger’s Note
“Yes, Pere.”
Callahan sketched the sign of the cross in front of him. “In nomine Patris, et Filii, et Spiritus—”
Oy barked. Just once, but with excitement. And it was a bit muffled, that bark, for he had found something in the gutter and was holding it up to Jake in his mouth. The boy bent and took it.
“What?” Callahan asked. “What is it?”
“It’s what she left for us,” Jake said. He sounded enormously relieved, almost hopeful again. “What she dropped while Mia was distracted and crying about the song. Oh man—we might have a chance, Pere. We might just have a chance after all.”
He put the object in the Pere’s hand. Callahan was surprised by its weight, and then struck almost breathless by its beauty. He felt the same dawning of hope. It was probably stupid, but it was there, all right.
He held the scrimshaw turtle up to his face and ran the pad of his index finger over the question-mark-shaped scratch on its shell. Looked into its wise and peaceful eyes. “How lovely it is,” he breathed. “Is it the Turtle Maturin? It is, isn’t it?”
“I don’t know,” Jake said. “Probably. She calls it the sköldpadda, and it may help us, but it can’t kill the harriers that are waiting for us in there.” He nodded toward the Dixie Pig. “Only we can do that, Pere. Will you?”
“Oh yes,” Callahan said calmly. He put the turtle, the sköldpadda, into his breast pocket. “I’ll shoot until the bullets are gone or I’m dead. If I run out of bullets before they kill me, I’ll club them with the gun-butt.”
“Good. Let’s go give them some last rites.”
They walked past the CLOSED sign on its chrome post, Oy trotting between them, his head up and his muzzle wearing that toothy grin. They mounted the three steps to the double doors without hesitating. At the top, Jake reached into the pouch and brought out two of the plates. He tapped them together, nodded at the dull ringing sound, and then said: “Let’s see yours.”
Callahan lifted the Ruger and held the barrel beside his right cheek like a duelist. Then he touched his breast pocket, which bulged and drooped with shells.
Jake nodded, satisfied. “Once we’re in, we stay together. Always together, with Oy between. On three. And once we start, we don’t stop until we’re dead.”
“Never stop.”
“Right. Are you ready?”
“Yes. God’s love on you, boy.”
“And on you, Pere. One … two … three.” Jake opened the door and together they went into dim light and the sweet tangy smell of roasting pork.
STAVE: Commala-come-ki,
There’s a time to live and one to die.
With your back against the final wall
Ya gotta let the bullets fly.
RESPONSE: Commala-come ki!
Let the bullets fly!
Don’t ’ee mourn for me, my lads
When it comes my day to die.