Back Sisters of Gold
Chapters (64)
  1. Cover
  2. Title page
  3. Dedication page
  4. A Week’s Work in Birmingham
  5. I
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. Six
  12. Seven
  13. Eight
  14. Nine
  15. Ten
  16. Eleven
  17. Twelve
  18. Thirteen
  19. Fourteen
  20. Fifteen
  21. Sixteen
  22. Seventeen
  23. Eighteen
  24. Nineteen
  25. Twenty
  26. Twenty-One
  27. Twenty-Two
  28. Twenty-Three
  29. Twenty-Four
  30. II
  31. Twenty-Five
  32. Twenty-Six
  33. Twenty-Seven
  34. Twenty-Eight
  35. Twenty-Nine
  36. Thirty
  37. Thirty-One
  38. Thirty-Two
  39. Thirty-Three
  40. Thirty-Four
  41. Thirty-Five
  42. Thirty-Six
  43. Thirty-Seven
  44. Thirty-Eight
  45. Thirty-Nine
  46. III
  47. Forty
  48. Forty-One
  49. Forty-Two
  50. Forty-Three
  51. Forty-Four
  52. Forty-Five
  53. Forty-Six
  54. Forty-Seven
  55. Forty-Eight
  56. Forty-Nine
  57. Fifty
  58. Fifty-One
  59. Fifty-Two
  60. Fifty-Three
  61. Acknowledgements
  62. Further Reading
  63. About the Author
  64. By the Same Author

Daisy had her hair tied back austerely in a long bunch at the back, a black hat pulled down over her ears. From beneath its stiff brim, her eyes were looking out in their intent way.

‘Hello, Daisy,’ Aunt Hatt said kindly and Margaret smiled at her too.

‘Are you coming for your lesson?’ Daisy said to Margaret, in a voice so commanding that Aunt Hatt made a face as if to say, Well, this one seems to think she’s the boss!

‘Go on,’ Aunt Hatt said, as she had said every day that week. ‘There’s not much more for you to do here, Margaret. You might as well learn a few things while you’re here!’

‘Thanks, Auntie,’ Margaret said, laughing. But on the inside she was trembling with anticipation. Her heart soared. She knew she was doing Daisy a favour, giving the child some attention. But every day now, when Daisy showed her a few elements of silversmithing in between chatting to her – of which she also did a good deal – they were never alone together for very long. Philip Tallis always found a reason to call into the room. Daisy would be showing Margaret the right hammer to use to flatten a silver bangle, or to make tiny round wounds in the metal which then sparkled with light; or Margaret watched as Daisy moved her bowl slowly round and beat it into shape . . . And soon they would hear his footsteps along the passage.

Tea was often the pretext – a ritual almost as key in this household as in Aunt Hatt’s. Mrs Flett would bring in a tray with tea and bread and butter or a plain cake, and he would often linger in the room talking, even after the cups held only cool dregs . . .

‘I’ve finished the bowl!’ Daisy announced as they crashed in through the door of number twenty-four that afternoon. ‘Now Pa says all I need to do is fix it on to the stand and it’s done!’

‘That’s wonderful,’ Margaret said, infected as ever by the strength of the child’s enthusiasm. Was it right, she kept asking herself, to be so enthused by the material world? Daisy showed no signs of religious interest. Margaret had asked her once or twice whether she would like to attend the church at Carrs Lane with her on Sunday, but she was met with a look of blank incomprehension.

‘But Sunday morning’s the time when Pa and I go for our walk!’ she said. And Margaret saw that this Sunday habit was sacred to Daisy, the way fashioning things of beauty was sacred. And Margaret was pulled up short, confused by the thought that anything could substitute for church and still be of God . . . But what she saw between Philip Tallis and his daughter and between the two of them and their creations, was love. And what is that, she thought, if not part of that greater Love?