Back Queen Bee
Chapters (49)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1: Meet Me, Holly McNee Jensen
  6. Chapter 2: Bee Calm
  7. Chapter 3: Buzzing Along
  8. Chapter 4: Now What?
  9. Chapter 5: All the Buzz
  10. Chapter Six
  11. Chapter 7: Bermuda Triangle
  12. Chapter Eight
  13. Chapter 9: Leslie Takes the Mike
  14. Chapter 10: Holly Grabs the Mike Back
  15. Chapter 11: The Boys
  16. Chapter 12: Roofie
  17. Chapter 13: Any Objections?
  18. Chapter 14: The Vapors
  19. Chapter 15: Bliss Week
  20. Chapter 16: Bee Advised
  21. Chapter 17: Bee Ware
  22. Chapter Eighteen
  23. Chapter 19: Leslie and Cher
  24. Chapter Twenty
  25. Chapter Twenty-One
  26. Chapter Twenty-Two
  27. Chapter 23: Bee Have
  28. Chapter 24: Leslie, the QB, and Vegas
  29. Chapter 25: Gone Boys
  30. Chapter 26: Char
  31. Chapter Twenty-Seven
  32. Chapter 28: Bee Cool
  33. Chapter Twenty-Nine
  34. Chapter Thirty
  35. Chapter 31: Stop and Smell the Roses
  36. Chapter 32: Good to Bee
  37. Chapter 33: Bee Leave
  38. Chapter 34: Bee Happy
  39. Chapter Thirty-Five
  40. Chapter 36: Bee Joyful
  41. Epilogue
  42. Acknowledgments
  43. P.S. Insights, Interviews & More . . .*
  44. About the Author
  45. Read On
  46. Letter from Victoria Hanna Frank
  47. Remembering the Grit and Glamour of Dorothea Benton Frank
  48. Also by Dorothea Benton Frank
  49. About the Publisher

One Christmas, she gave our mutual friend Suzanne a bottle of Houbigant perfume. We had to look it up on the internet because we were stunned that they still manufactured it. I recalled the last person to wear it was my great aunt, who made it her signature fragrance when Myrna Loy hawked it in an ad during the press junket for After the Thin Man in 1936. When I told Dottie we were impressed that she had found a bottle in 2017, she sniffed, “You girls are not in the know.”

DBF did not set out to become a New York Times bestselling author of twenty novels set in the South because it was a whim, or because she was a wife and mother with two young kids to raise, or because she wanted a house on the ocean in her hometown (though that might have been a drop of the octane drive that fueled her ambition). More accurately, Dottie was a pile driver on a mission. She was a natural-born storyteller who emerged from her job in the showrooms in Manhattan’s garment district (after fashion school in Atlanta) with an idea. Dottie had an instinct—that her customers, specifically women, needed a respite more than a new blouse. She recognized that women needed time for themselves, a way to feed their intellect and souls, and connect with other women, by way of a good read. Her acumen in business, especially her expertise in sales, marketing, and publicity, bolstered her creative side, making her the name brand she became. She surrounded herself with sharp minds who had even sharper elbows. Her agent, Suzanne Gluck; editor, Carrie Feron; marketing expert Kathy Gordon; and confidante and daughter, Victoria Frank, were akin to the Four Horsemen of Notre Dame without the cleats. They were fierce. Dottie was the quarterback. She called the plays and the shots. She was a worthy competitor to any of the greats on the current literary scene, but in the process of climbing higher she was never mean. Make no mistake, though—she played to win.

Dottie didn’t much care that the fancy folks called her emotional, satisfying, romantic, poignant, funny, and yes, southern novels “beach reads.” “Pound sand,” she’d shrug. She also didn’t mind being labeled, as long as that label was easily found in the bookstore.