Contents (37)
- POSTCOLONIAL LOVE POEM
- POSTCOLONIAL LOVE POEM
- Contents
- Postcolonial Love Poem
- Blood-Light
- These Hands, If Not Gods
- Catching Copper
- From the Desire Field
- Manhattan Is a Lenape Word
- American Arithmetic
- They Don’t Love You Like I Love You
- Skin-Light
- Run’n’Gun
- Asterion’s Lament
- Like Church
- Wolf OR-7
- Ink-Light
- The Mustangs
- Ode to the Beloved’s Hips
- Top Ten Reasons Why Indians Are Good at Basketball
- That Which Cannot Be Stilled
- The First Water Is the Body
- I, Minotaur
- It Was the Animals
- How the Milky Way Was Made
- exhibits from The American Water Museum
- Isn’t the Air Also a Body, Moving?
- Cranes, Mafiosos, and a Polaroid Camera
- The Cure for Melancholy Is to Take the Horn
- Waist and Sway
- If I Should Come Upon Your House Lonely in the West Texas Desert
- Snake-Light
- My Brother, My Wound
- Grief Work
- Notes
- Acknowledgments
- Dedication
up my throat, my face. Mi caracol. They think
brown people fuck better when we are sad.
Like horses. Or coyotes. All hoof or howl. All
mouth clamped down in the hair, on the neck,
slicked with latherin. You ask, Who is they?
even though you know. You want me to name
names. Shoot, we are named after them. You think
my Creator had heard of the word Natalie? Ha!
When he first made me he called me Snake—
then promised the afterlife would be reversed,
south turned north, full with tight bright melons.
Pluck one melon and another melon grows
in its place. But it’s hard, isn’t it? Not to perform
what they say about our sadness, when we are
always so sad. It is real work to not perform
a fable. Ask the turtle. Ask the hare. Remind
yourself and your friends: Sometimes I feel fast.
Sometimes I am so slow. Sometimes I get put down
in the street. Forever I win the wound they hang
on my chest. Remind yourself, your friends.
They are only light because we are dark.
If we didn’t exist, it wouldn’t be long before
they had to invent us. Like the light switch.
Yes, our Creator says Kingdom and we come.
Remind our friends. We fuck like we church—
best. And full of God, and joy, and sins, and
sweet upside-down cake. And when they ask me,
What’s in your love’s eyes? I tell them. Wild sugar-
melons, green-on-green, on green. She and I,
we eat the melons, starting at their thick-syruped
hearts, hold the beady seeds in our mouths
like new eyes, wait for them to leap open
and see us first.
Wolf OR-7
When he left his pack to find a mate, Oregon’s seventh
collared wolf, named OR-7 by state biologists, became
the first wolf in California since 1927, when the last one
was killed for government bounty.
On a digital map, OR-7’s trek is charted—by a GPS
tracking collar and numerous trail cameras—a trembling blue line,
south, west, south again,
twelve hundred miles from Oregon to California
to find Her: gray wolf, Canis lupus, Loba, Beloved.
In the tourmaline dusk I go a same wilding path,
pulled by night’s map into the forests and dunes of your hips,
divining from you rivers, then crossing them—
proving the long thirst I’d wander to be sated by you.
I confuse instinct for desire—isn’t bite also touch?
Some things cannot be charted—
the middle-night cosmography of your moving hands,
the constellation holding the gods
of your jaw and ear.
You tell me you take wolf naps, and I turn lupanar.
A female gray wolf’s shoulders are narrower than a male’s,
but our mythos of shoulders began before I knew that,
when I broke open my mouth upon yours
as we pressed against the glass doors of the cliff house
looking out into the bay’s shadows hammering
the bronzed bell of the super moon.
My mind climbed the rise, fall, rise of your bared back.