Contents ( 37)
- POSTCOLONIAL LOVE POEM
- POSTCOLONIAL LOVE POEM
- Contents
- Postcolonial Love Poem
- Blood-Light
- These Hands, If Not Gods
- Catching Copper
- From the Desire Field
- Manhattan Is a Lenape Word
- American Arithmetic
- They Don’t Love You Like I Love You
- Skin-Light
- Run’n’Gun
- Asterion’s Lament
- Like Church
- Wolf OR-7
- Ink-Light
- The Mustangs
- Ode to the Beloved’s Hips
- Top Ten Reasons Why Indians Are Good at Basketball
- That Which Cannot Be Stilled
- The First Water Is the Body
- I, Minotaur
- It Was the Animals
- How the Milky Way Was Made
- exhibits from The American Water Museum
- Isn’t the Air Also a Body, Moving?
- Cranes, Mafiosos, and a Polaroid Camera
- The Cure for Melancholy Is to Take the Horn
- Waist and Sway
- If I Should Come Upon Your House Lonely in the West Texas Desert
- Snake-Light
- My Brother, My Wound
- Grief Work
- Notes
- Acknowledgments
- Dedication
than any other race. Race is a funny word.
Race implies someone will win,
implies, I have as good a chance of winning as—
Who wins the race that isn’t a race?
Native Americans make up 1.9 percent of all
police killings, higher per capita than any race—
sometimes race means run.
I’m not good at math—can you blame me?
I’ve had an American education.
We are Americans, and we are less than 1 percent
of Americans. We do a better job of dying
by police than we do existing.
When we are dying, who should we call?
The police? Or our senator?
Please, someone, call my mother.
At the National Museum of the American Indian,
68 percent of the collection is from the United States.
I am doing my best to not become a museum
of myself. I am doing my best to breathe in and out.
I am begging: Let me be lonely but not invisible.
But in an American room of one hundred people,
I am Native American—less than one, less than
whole—I am less than myself. Only a fraction
of a body, let’s say, I am only a hand—
and when I slip it beneath the shirt of my lover
I disappear completely.
They Don’t Love You Like I Love You
My mother said this to me
long before Beyoncé lifted the lyrics
from the Yeah Yeah Yeahs,
and what my mother meant by,
Don’t stray, was that she knew
all about it—the way it feels to need
someone to love you, someone
not your kind, someone white,
some one some many who live
because so many of mine
have not, and further, live on top of
those of ours who don’t.
I’ll say, say, say,
I’ll say, say, say,
What is the United States if not a clot
of clouds? If not spilled milk? Or blood?
If not the place we once were
in the millions? America is Maps—
Maps are ghosts: white and
layered with people and places I see through.
My mother has always known best,
knew that I’d been begging for them,
to lay my face against their white
laps, to be held in something more
than the loud light of their projectors,
as they flicker themselves—sepia
or blue—all over my body.
All this time,
I thought my mother said, Wait,
as in, Give them a little more time
to know your worth,
when really, she said, Weight,
meaning heft, preparing me
for the yoke of myself,
the beast of my country’s burdens,
which is less worse than
my country’s plow. Yes,
when my mother said,
They don’t love you like I love you,
she meant,
Natalie, that doesn’t mean
you aren’t good.
Skin-Light
My whole life I have obeyed it—:
its every hunting. I move beneath it
as a jaguar moves, in the dark
liquid blading of shoulder.
The opened-gold field and glide of the hand,
light-fruited and scythe-lit.
I have arrived to this god-made place—:
Teotlachco, the ball court—:
because the light called: lightwards!