Contents ( 37)
- POSTCOLONIAL LOVE POEM
- POSTCOLONIAL LOVE POEM
- Contents
- Postcolonial Love Poem
- Blood-Light
- These Hands, If Not Gods
- Catching Copper
- From the Desire Field
- Manhattan Is a Lenape Word
- American Arithmetic
- They Don’t Love You Like I Love You
- Skin-Light
- Run’n’Gun
- Asterion’s Lament
- Like Church
- Wolf OR-7
- Ink-Light
- The Mustangs
- Ode to the Beloved’s Hips
- Top Ten Reasons Why Indians Are Good at Basketball
- That Which Cannot Be Stilled
- The First Water Is the Body
- I, Minotaur
- It Was the Animals
- How the Milky Way Was Made
- exhibits from The American Water Museum
- Isn’t the Air Also a Body, Moving?
- Cranes, Mafiosos, and a Polaroid Camera
- The Cure for Melancholy Is to Take the Horn
- Waist and Sway
- If I Should Come Upon Your House Lonely in the West Texas Desert
- Snake-Light
- My Brother, My Wound
- Grief Work
- Notes
- Acknowledgments
- Dedication
with all that flash.
My brothers kiss their bullet
in a dark cul-de-sac, in front
of the corner-store ice machine,
in the passenger seat of their car,
on a strobe-lighted dance floor.
My brothers’ bullet
kisses them back.
My brothers break and dance
for their bullet—the jerk,
the stanky leg. They pop, lock
and drop for their bullet,
a move that has them writhing
on the ground.
The worm, my brothers call it.
My brothers go all-worm
for their bullet.
My brothers’ bullet is registered,
is a bullet of letters—has a PD,
a CIB, a GSW, if they are lucky
an EMT, if not, a Triple 9, a DNR,
a DOA.
My brothers never call the cops
on their bullet and instead pledge
allegiance to their bullet
with hands over their hearts
and stomachs and throats.
My brothers say they would die
for their bullet. If my brothers die,
their bullet would be lost.
If my brothers die,
there’s no bullet to begin with—
the bullet is for living brothers.
My brothers’ feed their bullet
the way the bulls fed Zeus—
burning, on a pyre, their own
thigh bones wrapped in fat.
My brothers take a knee, bow
against the asphalt, prostrate
on the concrete for their bullet.
We wouldn’t go so far
as to call our bullet
a prophet, my brothers say.
But my brothers’ bullet
is always lit like a night-church.
It makes my brothers holy.
You could say my brothers’ bullet
cleans them—the way red ants
wash the empty white bowl
of a dead coyote’s eye socket.
Yes, my brothers’ bullet
cleans them, makes them
ready for God.
From the Desire Field
I don’t call it sleep anymore.
I’ll risk losing something new instead—
like you lost your rosen moon, shook it loose.
But sometimes when I get my horns in a thing—
a wonder, a grief, or a line of her—it is a sticky and ruined
fruit to unfasten from,
despite my trembling.
Let me call my anxiety, desire, then.
Let me call it, a garden.
Maybe this is what Lorca meant
when he said, verde que te quiero verde—
because when the shade of night comes,
I am a field of it, of any worry ready to flower in my chest.
My mind in the dark is una bestia, unfocused,
hot. And if not yoked to exhaustion
beneath the hip and plow of my lover,
then I am another night wandering the desire field—
bewildered in its low green glow,
belling the meadow between midnight and morning.
Insomnia is like spring that way—surprising
and many petaled,
the kick and leap of gold grasshoppers at my brow.
I am struck in the witched hours of want—
I want her green life. Her inside me
in a green hour I can’t stop.
Green vein in her throat green wing in my mouth
green thorn in my eye. I want her like a river goes, bending.
Green moving green, moving.
Fast as that, this is how it happens—