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Contents (37)
  1. POSTCOLONIAL LOVE POEM
  2. POSTCOLONIAL LOVE POEM
  3. Contents
  4. Postcolonial Love Poem
  5. Blood-Light
  6. These Hands, If Not Gods
  7. Catching Copper
  8. From the Desire Field
  9. Manhattan Is a Lenape Word
  10. American Arithmetic
  11. They Don’t Love You Like I Love You
  12. Skin-Light
  13. Run’n’Gun
  14. Asterion’s Lament
  15. Like Church
  16. Wolf OR-7
  17. Ink-Light
  18. The Mustangs
  19. Ode to the Beloved’s Hips
  20. Top Ten Reasons Why Indians Are Good at Basketball
  21. That Which Cannot Be Stilled
  22. The First Water Is the Body
  23. I, Minotaur
  24. It Was the Animals
  25. How the Milky Way Was Made
  26. exhibits from The American Water Museum
  27. Isn’t the Air Also a Body, Moving?
  28. Cranes, Mafiosos, and a Polaroid Camera
  29. The Cure for Melancholy Is to Take the Horn
  30. Waist and Sway
  31. If I Should Come Upon Your House Lonely in the West Texas Desert
  32. Snake-Light
  33. My Brother, My Wound
  34. Grief Work
  35. Notes
  36. Acknowledgments
  37. Dedication

soy una sonámbula.

And even though you said today you felt better,

and it is so late in this poem, is it okay to be clear,

to say, I don’t feel good,

to ask you to tell me a story

about the sweetgrass you planted—and tell it again

or again—

until I can smell its sweet smoke,

leave this thrashed field, and be smooth.

Manhattan Is a Lenape Word

It is December and we must be brave.

The ambulance’s rose of light

blooming against the window.

Its single siren-cry: Help me.

A silk-red shadow unbolting like water

through the orchard of her thigh.

Her, come—in the green night, a lion.

I sleep her bees with my mouth of smoke,

dip honey with my hands stung sweet

on the darksome hive.

Out of the eater I eat. Meaning,

She is mine, colony.

The things I know aren’t easy:

I’m the only Native American

on the 8th floor of this hotel or any,

looking out any window

of a turn-of-the-century building

in Manhattan.

Manhattan is a Lenape word.

Even a watch must be wound.

How can a century or a heart turn

if nobody asks, Where have all

the Natives gone?

If you are where you are, then where

are those who are not here? Not here.

Which is why in this city I have

many lovers. All my loves

are reparations loves.

What is loneliness if not unimaginable

light and measured in lumens—

an electric bill which must be paid,

a taxi cab floating across three lanes

with its lamp lit, gold in wanting.

At 2 a.m. everyone in New York City

is empty and asking for someone.

Again, the siren’s same wide note:

Help me. Meaning, I have a gift

and it is my body, made two-handed

of gods and bronze.

She says, You make me feel

like lightning. I say, I don’t ever

want to make you feel that white.

It’s too late—I can’t stop seeing

her bones. I’m counting the carpals,

metacarpals of her hand inside me.

One bone, the lunate bone, is named

for its crescent outline. Lunatus. Luna.

Some nights she rises like that in me,

like trouble—a slow luminous flux.

The streetlamp beckons the lonely

coyote wandering West 29th Street

by offering its long wrist of light.

The coyote answers by lifting its head

and crying stars.

Somewhere far from New York City,

an American drone finds then loves

a body—the radiant nectar it seeks

through great darkness—makes

a candle-hour of it, and burns

gently along it, like American touch,

an unbearable heat.

The siren song returns in me,

I sing it across her throat: Am I

what I love? Is this the glittering world

I’ve been begging for?

American Arithmetic

Native Americans make up less than

1 percent of the population of America.

0.8 percent of 100 percent.

O, mine efficient country.

I do not remember the days before America—

I do not remember the days when we were all here.

Police kill Native Americans more