Contents ( 37)
- POSTCOLONIAL LOVE POEM
- POSTCOLONIAL LOVE POEM
- Contents
- Postcolonial Love Poem
- Blood-Light
- These Hands, If Not Gods
- Catching Copper
- From the Desire Field
- Manhattan Is a Lenape Word
- American Arithmetic
- They Don’t Love You Like I Love You
- Skin-Light
- Run’n’Gun
- Asterion’s Lament
- Like Church
- Wolf OR-7
- Ink-Light
- The Mustangs
- Ode to the Beloved’s Hips
- Top Ten Reasons Why Indians Are Good at Basketball
- That Which Cannot Be Stilled
- The First Water Is the Body
- I, Minotaur
- It Was the Animals
- How the Milky Way Was Made
- exhibits from The American Water Museum
- Isn’t the Air Also a Body, Moving?
- Cranes, Mafiosos, and a Polaroid Camera
- The Cure for Melancholy Is to Take the Horn
- Waist and Sway
- If I Should Come Upon Your House Lonely in the West Texas Desert
- Snake-Light
- My Brother, My Wound
- Grief Work
- Notes
- Acknowledgments
- Dedication
out of reach of their hands, some have ground down to tinier
piles of dust and sand at their unmoving fingertips.
23.
River, an interactive performance piece:
Sit or stand silently. Close your eyes until they are still.
In the stillness breathe in the river moving inside you.
It is a thick smell, a color. Touch it—not with your hands,
but with your entire sensual skin. Touch it with your flesh.
Drink from yourself until you are full. Realize the emptiness
made by your fullness…. No, no, no—Don’t repent. This is
a museum not a church.
123.
Marginalia from the BIA Watermongers Congressional Records, redacted:
To kill
take their water
To kill
steal their water
then tell them how much they owe
To kill
bleed them of what is wet in them
To kill
find their river and slit its throat
To kill
pollute their water with their daughters’
busted drowned bodies washed up
on the shores, piece by piece
205.
The water piped into every American city is called dead water.
300.
There is a urinal inside a curtained booth in the corner.
The lit sign above the curtain hums and flickers: Donations.
You have nothing to give.
10.
Metonymic Experience:
There are more than 60,000 miles of waterways in our bodies—
veins, arteries—the red lines of our own lives. We are
topographies of sustainable greed—dragons be here now,
in our bellies, in the cracked bowl bottoms of lakebeds,
bloodshot eyes frayed like red speaker wires scorched
in the sun. We thirst. Our thirst is a caravan—pilgrims of
scarcity. As we die of drought, we splay in the shifting sand
like old maps to follow, ones that led us here to begin with,
brought us to this masterpiece of thirst, as architects and
social practice artists. The curators ask us to collapse
as naturally as possible, in a heap—so those who come
behind us might be immersed in this exhibit of thirst,
as if it was their own.
Soon.
67.
There are grief counselors on site for those who realize
they have entered The American Water Museum not as
patrons but rather as parts of the new exhibit.
68.
The drinking fountain blows a metallic blue ribbon from its spout.
41.
Embroidered martyr banners hang in the entryway:
A swath of cloth and flag for the rivers who refused
American citizenry, who would not speak English,
no matter how badly they were beaten and bled.
7.
Text RVR followed by # to sign up for the text message survey:
What does a day feel like when you’re nourished
on the bodies and fleshes of those felled for your
arrival? A butterfly sipping on the opened neck
of a horse stiffening beneath the mottled shade