Contents ( 37)
- POSTCOLONIAL LOVE POEM
- POSTCOLONIAL LOVE POEM
- Contents
- Postcolonial Love Poem
- Blood-Light
- These Hands, If Not Gods
- Catching Copper
- From the Desire Field
- Manhattan Is a Lenape Word
- American Arithmetic
- They Don’t Love You Like I Love You
- Skin-Light
- Run’n’Gun
- Asterion’s Lament
- Like Church
- Wolf OR-7
- Ink-Light
- The Mustangs
- Ode to the Beloved’s Hips
- Top Ten Reasons Why Indians Are Good at Basketball
- That Which Cannot Be Stilled
- The First Water Is the Body
- I, Minotaur
- It Was the Animals
- How the Milky Way Was Made
- exhibits from The American Water Museum
- Isn’t the Air Also a Body, Moving?
- Cranes, Mafiosos, and a Polaroid Camera
- The Cure for Melancholy Is to Take the Horn
- Waist and Sway
- If I Should Come Upon Your House Lonely in the West Texas Desert
- Snake-Light
- My Brother, My Wound
- Grief Work
- Notes
- Acknowledgments
- Dedication
The body is beyond six senses. Is sensual. An ecstatic state of energy, always on the verge of praying, or entering any river of movement.
Energy is a moving river moving my moving body.

In Mojave thinking, body and land are the same. The words are separated only by the letters ‘ii and ‘a: ‘iimat for body, ‘amat for land. In conversation, we often use a shortened form for each: mat-. Unless you know the context of a conversation, you might not know if we are speaking about our body or our land. You might not know which has been injured, which is remembering, which is alive, which was dreamed, which needs care. You might not know we mean both.
If I say, My river is disappearing, do I also mean, My people are disappearing?

How can I translate—not in words but in belief—that a river is a body, as alive as you or I, that there can be no life without it?

John Berger wrote, True translation is not a binary affair between two languages but a triangular affair. The third point of the triangle being what lay behind the words of the original text before it was written. True translation demands a return to the pre-verbal.
Between the English translation I offered, and the urgency I felt typing ‘Aha Makav in the lines above, is not the point where this story ends or begins.
We must go to the place before those two points—we must go to the third place that is the river.
We must go to the point of the lance entering the earth, and the river becoming the first body bursting from earth’s clay body into my sudden body. We must submerge, come under, beneath those once warm red waters now channeled blue and cool, the current’s endless yards of emerald silk wrapping the body and moving it, swift enough to take life or give it.
We must go until we smell the black root-wet anchoring the river’s mud banks. We must go beyond beyond to a place where we have never been the center, where there is no center—beyond, toward what does not need us yet makes us.

What is this third point, this place that breaks a surface, if not the deep-cut and crooked bone bed where the Colorado River runs—a one-thousand-four-hundred-and-fifty-mile thirst—into and through a body?
Berger called it the pre-verbal. Pre-verbal as in the body when the body was more than body. Before it could name itself body and be limited, bordered by the space body indicated.
Pre-verbal is the place where the body was yet a green-blue energy greening, greened and bluing the stone, red and floodwater, the razorback fish, the beetle, and the cottonwoods’ and willows’ shaded shadows.
Pre-verbal was when the body was more than a body and possible.