Contents ( 50)
- Description
- PHANTOM NOISE
- CONTENTS
- ACKNOWLEDGEMENTS
- VA Hospital Confessional
- At Lowe’s Home Improvement Center
- Howl Wind
- Aubade: Layover in Amsterdam
- The Whale
- Chinese Ink Brush Painting
- Sleeping in Dick Cheney’s Bed
- Viking 1
- Perimeter Watch
- Illumination Rounds
- Puget Sound
- Al-A’imma Bridge
- Helping Her Breathe
- Guarding the Bomber
- Phantom Noise
- Zippo
- Homemade Napalm
- Bruce Lee’s Enter the Dragon
- Lucky Money
- On the Flight to Alamosa, Colorado
- Wading Out
- White Phosphorus
- .22 Caliber
- Green Alexandrine
- On the Surgeon’s Table
- Unearthed by Wind
- Madinat Al-Salam
- Tell Me, Beautiful One, from Where Did the Lord Bring You?
- Insignia
- Mohammed Trains for the Beijing Olympics, 2008
- A Lullaby for Bullets
- The Discothèque
- Jundee Ameriki
- American Internal
- To My Unnamed Daughter
- Ajal
- The Inventory from a Year Lived Sleeping with Bullets
- The Mutanabbi Street Bombing
- Eucalyptus
- In the Tannour Oven
- Study of Nudes by Candlelight
- In the Guggenheim Museum
- The One Square Inch Project
- NOTES
- About the Author
- Copyright
record-holder. He cannot be beaten.
At least, not by Sawara Mohammed.
Mohammed, at 26, has shoveled cement
longer than he cares to remember. In Arbil,
in Kurdish northern Iraq, he strains hard
to lift the barbell with its heavy plates,
round as the wheels of chariots – then, muscles give
and the wheels bounce in dust before him. No,
he cannot defeat the Bulgarian.
The problem is in lifting weight over distance.
It isn’t a matter of iron, or of will.
In Beijing, Boevski’s records will go
unnoticed, because Mohammed is training now
to lift the city of Arbil, with its people;
his quadriceps and posterior chain
straining, the muscles tremoring to lift
the Euphrates and Tigris both, mountains
of the north, deserts of the west, Basra,
Karbala, Ramadi, Tikrit, Mosul,
three decades of war and the constant suffering
of millions – this is what Sawara lifts,
and no matter what effort he makes, he will fail
completely, and the people will love him for it.
A Lullaby for Bullets
Tomorrow is made of shrapnel
and blood. There will come a time
when the trigger calls you out quickly
to the streets. And as you leave the barrel,
I can’t promise you won’t kill the man
who has waited all his life for the answer
to this moment, but if you lean to the right,
if you lean back and look as hard as you can
for that mountain you came from, sunlight
warming the pines, clouds approaching
from the north with a gift of silence,
if you do this you might just graze
the man’s temple, so close you might hear
his name, the humming of blood
over bone, the many voices
within, the years to come.

The Discothèque
(for Tony Lagouranis)
Loaded down with prisoners after another night’s raid
we pulled into the Mosul airbase, the men gagged,
zip-tied, blindfolded with engineer tape.
Forsman ate a Snickers up in the hatch
while everybody else slept shoulder to shoulder,
1st Platoon’s radio silent of chatter, humming in static.
I held a 9 mm pistol in my hand, watched
how the prisoners’ heads slumped in resignation,
one of them mumbling a slow rocking of prayer.
And I didn’t feel a thing. I just wanted to sleep,
to wake and find myself in California –
anywhere else but here.
We turned them over to the MPs, who looked bored
of caffeine and paperwork as I filled out the depositions,
the Iraqis shunted into holding pens of wire.
I remember complaining once about The Discothèque,
that nearby container I mistook for an on-base club –
Where the pogues chill out, I said, those fucking pogues.
From that metal box shrouded in a camouflage netting
I never heard the screaming. I never heard the breaking of men.
I heard only music – guitars from distorted speakers.

The deposition forms didn’t have a space