Phantom Noise
Contents ( 50)
- Description
- PHANTOM NOISE
- CONTENTS
- ACKNOWLEDGEMENTS
- VA Hospital Confessional
- At Lowe’s Home Improvement Center
- Howl Wind
- Aubade: Layover in Amsterdam
- The Whale
- Chinese Ink Brush Painting
- Sleeping in Dick Cheney’s Bed
- Viking 1
- Perimeter Watch
- Illumination Rounds
- Puget Sound
- Al-A’imma Bridge
- Helping Her Breathe
- Guarding the Bomber
- Phantom Noise
- Zippo
- Homemade Napalm
- Bruce Lee’s Enter the Dragon
- Lucky Money
- On the Flight to Alamosa, Colorado
- Wading Out
- White Phosphorus
- .22 Caliber
- Green Alexandrine
- On the Surgeon’s Table
- Unearthed by Wind
- Madinat Al-Salam
- Tell Me, Beautiful One, from Where Did the Lord Bring You?
- Insignia
- Mohammed Trains for the Beijing Olympics, 2008
- A Lullaby for Bullets
- The Discothèque
- Jundee Ameriki
- American Internal
- To My Unnamed Daughter
- Ajal
- The Inventory from a Year Lived Sleeping with Bullets
- The Mutanabbi Street Bombing
- Eucalyptus
- In the Tannour Oven
- Study of Nudes by Candlelight
- In the Guggenheim Museum
- The One Square Inch Project
- NOTES
- About the Author
- Copyright

Description
BRIAN TURNER
PHANTOM NOISE
Shortlisted for the 2010 T.S. Eliot Prize
Brian Turner’s first book of poems, Here, Bullet, was a harrowing, first-hand account of the Iraq War by a soldier-poet. In Phantom Noise he pumps up the volume as he faces and tries to deal with the traumatic aftermath of war. Flashbacks explode the daily hell of Baghdad into the streets and malls of peaceful California, at the same time sending Turner’s imagination reeling back to Iraq. If he thought he had written all he could of his Iraq experiences in Here, Bullet, he was mistaken, for what he saw and felt there affected him so profoundly that more poems had to be written, years later, from a place of apparent safety.
Brian Turner writes a powerful poetry of witness, exceptional for its beauty, honesty and skill. Like Keith Douglas’s poems from the North African desert in the Second World War, Turner’s testament from the war in Iraq offers unflinchingly accurate description but no moral judgement, leaving the reader to draw any conclusions. Repetitive media reports show little of people’s daily experience of the war and occupation. In Phantom Noise, as in Here, Bullet, we see and feel the devastatingly surreal reality of everyday life and death for soldiers and civilians through the eyes of an eloquent writer who served in the US Army for seven years, with a year’s tour of duty in Iraq as an infantry team leader.
‘With courage and an uncommon willingness to see the world as it actually is, Brian Turner returns in Phantom Noise with a bullet-borne language in which helicopters hover like spiders over a film of water. His poem Al-A’imma Bridge alone proves his mastery, and joins him to the tradition of Wilfred Owen and David Jones, for he is their descendant, his poetic gifts detonated into a spray of lyric force that will mark what is possible in poetry for years to come, a chiseling of agony onto paper and a poignant cri de coeur to the republic of conscience’ – Carolyn Forché
COVER PAINTING: Ahmed Nussaif: War
COVER ART PROVIDED WITH THE SUPPORT OF IRAQI ART NFP
www.iraqi-art.com
BRIAN TURNER
PHANTOM NOISE

CONTENTS
Title Page
Acknowledgements
VA Hospital Confessional
At Lowe’s Home Improvement Center
Howl Wind
Aubade: Layover in Amsterdam
The Whale
Chinese Ink Brush Painting
Sleeping in Dick Cheney’s Bed
Viking 1
Perimeter Watch
Illumination Rounds
Puget Sound
Al-A’imma Bridge
Helping Her Breathe
Guarding the Bomber
Phantom Noise
Zippo
Homemade Napalm
Bruce Lee’s Enter the Dragon
Lucky Money
On the Flight to Alamosa, Colorado
Wading Out
White Phosphorus
.22 Caliber
Green Alexandrine
On the Surgeon’s Table
Unearthed by Wind
Madinat Al-Salam
Stopping the American Infantry Patrol Near the Prophet Yunus Mosque in Mosul, Abu Ali Shows Them the Cloth in His Pocket
Tell Me, Beautiful One, from Where Did the Lord Bring You?
Insignia
Mohammed Trains for the Beijing Olympics, 2008