Back Out of the Blue
Chapters (58)
  1. Cover
  2. Title Page
  3. Dedication
  4.      Sean     
  5.      Crest     
  6.      Sean     
  7.      Crest—ugh—Ross     
  8.      Sean     
  9.      Ross     
  10.      Sean     
  11.      Ross     
  12. Sean
  13.      Ross     
  14.      Sean     
  15.      Ross     
  16.      Sean     
  17.      Ross     
  18.      Sean     
  19.      Ross     
  20.      Sean     
  21.      Ross     
  22.      Sean     
  23.      Ross     
  24.      Sean     
  25.      Ross     
  26.      Sean     
  27.      Ross     
  28.      Sean     
  29.      Ross     
  30.      Sean     
  31.      Ross     
  32.      Sean     
  33.      Ross     
  34.      Sean     
  35.      Ross     
  36.      Sean     
  37.      Ross     
  38.      Sean     
  39.      Ross     
  40.      Sean     
  41.      Ross     
  42.      Sean     
  43.      Ross     
  44.      Sean     
  45.      Ross     
  46.      Sean     
  47.      Ross     
  48.      Sean     
  49.      Ross     
  50.      Sean     
  51.      Crest     
  52.      Sean     
  53. Epilogue
  54. Acknowledgments
  55. About the Author
  56. Books by Jason June:
  57. Back Ad
  58. About the Publisher

“We’re not all bad,” I say, then point to the glowiest of structures along the Promenade. The corners of the building are lined with bright purple lights, a huge logo blaring “LuxeFlix” in gold. It used to be an old-timey cinema before it was bought and refurbished into the most intimate of theaters, seats separated into pods of two recliners with a table between them for full-service dining. “I give you your first date. Dinner and a movie all in one place. Plus, it’s their monthly Romance Night, where they show a classic love story. So you’ll also get to see that romance is the second-best movie genre, second only to rom-com, and that humans actually do have emotions. We’re watching The Notebook.”

Ross looks skeptical. “You’re telling me a movie about office supplies full of paper made from decimated trees is supposed to be romantic?” They shake their head. “Humans.”

“No, no, it’s about so much more than that. It’s old, but the themes are timeless. It’s about how these two people fall in love, and life and war and dumb society and social class separate them, but then, spoiler alert, nothing can keep them apart.” I move forward and pull Ross along with me, tottering in their heels. “You’re gonna love it.”

We get to the box office and the attendant takes in Ross from head to toe. He scowls, not necessarily in a hateful way, but definitely in a What’s up with them? kind of way, as I’ve seen so many people do to genderqueer and nonbinary folks. As if one pair of heels makes someone who others see as male deserving of being gawked at or somehow less of a human being.

I glance at Ross. They’re too busy looking at the glowing building and taking deep inhales of the popcorn scent wafting out of the theater’s open doors to notice. I instinctively pull them closer to me, my arm looping around their waist, and say, “Two for The Notebook.”

The attendant just shrugs and swipes my debit card before handing me two purple tickets. I glance at the printed card stock and realize I should have just bought them online to save the paper. Ross is already rubbing off on me.

“Okay,” I say, pocketing the tickets before Ross notices the waste, “you ready to—”

“Sean? Ross? Hi!”

I glance over my shoulder to see Miguel, waving enthusiastically, and Dominic, staring at my arm wrapped around Ross. My heart and my head go through entirely different emotions. My head is like, “Ha ha! Got you, sucker! Now you can feel what it’s like to see the love of your life with another person,” but my heart is like, “Oh, poor D, come in here and let me protect you, babe.”