Chapters (33)
- Cover
- Title Page
- Note to Reader
- Dedication
- I
- Psalm
- Knitted Thylacin
- The Cry
- Four Marys
- Psyche
- The Wolves
- Tiresias
- Horn of Plenty
- Astyanax
- Io
- II
- Philomela
- Nightingale: A Gloss
- III
- Quiver
- Gokstadt/Ganymede
- Telling the Wasps
- IV
- Marsyas
- Pasiphaë
- The Olive Tree at Vouves
- Driving to Santa Fe
- Pear
- Pythagorean
- About the Author
- Books
- Acknowledgments
- Special thanks
for the child I did not have, which I thought
once would pierce me utterly. Nothing
beside that dense muscle, faint gold guard hairs
stirring the dark. And if I keep
these scraps of it, what did it keep of me?
A flight, a thunder. A shield of light
dropped before the eyes, pinned
inside that magnificent skull only time
would release. Split back, fade
and reveal. Wind
would open him. Sun would turn him
commonplace: a knot of flies, a ribcage
of shredded tendon, wasp-nest
fragile. The treasure of him, like anything,
gone. Even now, I thumb that face
like a coin I cannot spend. If something in me
ever lived, it lived in him, fishing the cold
trout-thick streams, waking to snow, dying
when he died, which is a comfort.
I must say this. Otherwise, I myself
do not exist. It looked at me
a moment. A flash of green, of gold
and white. Then the dark came down again
between us. Once, I was afraid
of being changed. Now that is finished.
The lynx has me in its eye.
I am already diminished.
Pear
Pear
after Susan Stewart
No one ever died for a bite
of one, or came back from the dead
for a single taste: the cool flesh
cellular or stony, white
as the belly of the winter hare
or a doe’s scut, flicking,
before she mates. Even an unripe one
is delicious, its crisp bite cleaner
almost than water and its many names
just as inviting: Bartlett and Comice,
Anjou, Nashi, Concorde
and Seckel, the pomegranate-skinned
Starkrimson, even the medieval
Bosc, which looks like it dropped
from an oil painting. It is not a sin
to eat one, though you may think
of a woman’s body as you do it,
the bell-shaped swell of it
rich in your hand, and for this reason
it was sacred to Venus, Juno, all women
celebrated or dismissed
in its shape, that mealy sweetness
tunneling from its center, a gold
that sinks back into itself with age.
To ripen a pear, wrap it in paper,
lay it in cloth by an open window
or slip a rotten one beside it
on a metal dish: dying cells call always
to the fresh ones, the body’s
siren song that, having heard
it once, we can’t stop singing.
This is not the fruit
that will send you to hell
nor keep you there;
it will not give you knowledge,
childbirth, power, or love:
you won’t know more pain
for having eaten one, or choke
on a bite to fall asleep
under glass. It has no use
for archer or hero, though
anything you desire from an apple
you can do with the pear, like a dark sister
with whom you might live out
your secret desires. Cook it
in wine, mull it with spices, roast it
with honey and cloves. Time sweetens
and we taste it, so gather the fruit
weeks before ripeness,