Chapters (51)
- Cover
- Dedication
- One
- Two
- Three
- Four
- Five
- Six
- Seven
- Eight
- Nine
- Ten
- Eleven
- Twelve
- Thirteen
- Fourteen
- Fifteen
- Sixteen
- Seventeen
- Eighteen
- Nineteen
- Twenty
- Twenty-One
- Twenty-Two
- Twenty-Three
- Twenty-Four
- Twenty-Five
- Twenty-Six
- Twenty-Seven
- Twenty-Eight
- Twenty-Nine
- Thirty
- Thirty-One
- Thirty-Two
- Thirty-Three
- Thirty-Four
- Thirty-Five
- Thirty-Six
- Thirty-Seven
- Thirty-Eight
- Thirty-Nine
- Forty
- Forty-One
- Forty-Two
- Forty-Three
- Acknowledgments
- P.S. Insights, Interviews & More . . .*
- About the Author
- About the Book
- Also by Alison Gaylin
- About the Publisher
A week ago, I was so excited about this assignment. Mrs. Brixton told our class that she would keep the letters and send them to us at our future homes in the year 2000, when we will be the age that she is now.
Aurora Grace, the one thing in the world that I know I want to be is a mother, your mother. The idea of writing you a letter now that you can read someday gave me what Papa Pete would have called “purpose” and “direction” and all kinds of other things I’ve never had enough of. It made me so happy, I actually thanked Mrs. Brixton for the assignment. But now, I know I’ll never be able to turn it in. School is out in less than a week. And one way or another, I will be gone by sunrise.
With love,
April (Your Future Mom)
Two
Quentin
“IT WAS THE girl.” The old man leaned forward, bracing against the worn-out armchair as though he were trying to escape its grasp. “April Cooper. She was the real killer.”
Quentin Garrison watched his face. He was very good at describing people, a skill he used all the time in his true crime podcasts. Later, recording the narration segments with his coproducer, Summer Hawkins, Quentin would paint the picture for his listeners—the leathery skin, the white eyebrows wispy as cobwebs, the eyes, cerulean in 1976 but now the color of worn denim, and with so much pain bottled up behind them, as though he were constantly hovering on the brink of tears.
The man was named Reg Sharkey, and on June 20, 1976, he’d watched his four-year-old daughter Kimmy die instantly of a gunshot wound to the chest—the youngest victim of April Cooper and Gabriel Allen LeRoy, aka the Inland Empire Killers. Two weeks later, his wife, Clara, had decided her own grief was too much to bear and committed suicide, after which Reg Sharkey had apparently given up on caring about anything or anyone.
Quentin said, “Wasn’t it LeRoy who pulled the trigger?”
“Yes.”
“But you blame April.”
“Yes.”
“Why?”
Reg stayed quiet for several seconds. Quentin resisted the urge to fill in the dead air. This was a trick that often worked in interviews, the subject finally relenting and spilling his guts—anything to put an end to that awful, uncomfortable silence.