Back Natchez Burning
Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

Sexton’s video isn’t the most horrifying visual evidence I’ve ever seen—not by a long shot. During my years as an assistant DA in Houston, I heard and saw tapes made by narcissistic rapists, torture-killers, and other assorted freaks. But this video would go a long way toward convincing a jury that Viola Turner didn’t die by her own choice. Worse, many people might reasonably interpret her last words as a direct accusation against my father. I think the recording is equivocal on that point, but you never know how a jury will read something. If my father were vigorously defending himself on the stand (and had a good explanation for what the recording shows), a jury might believe him. But if he sat silently at the defense table, hiding behind the Fifth Amendment, they might well convict him.

“Is there anything but this on the rest of the recording?”

“Just twenty-eight minutes of her lying there.”

“You watched it all?”

“I fast-forwarded through it, but I’m pretty sure.”

My right hand is gripping the door handle so hard that my forearm cramps, but I can’t pull myself away from the computer screen. For the first time I notice the appointments in Viola’s sickroom. On the bedside table stands a white statuette of the Virgin Mary, and hanging on the wall behind the hospital bed are three framed photos: Abraham Lincoln; Martin Luther King Jr.; John and Robert Kennedy standing on the White House Colonnade, looking pensive. The bedside lamp is a faux gas lantern, and it stands on a lace doily—an impractical item to use near a sickbed. I also see a clock-radio, which clearly reads 5:38 A.M.

“Did that look like a morphine overdose to you?” Henry asks.

“No. Is that what Shad thought it was?”

“I think he expected to see a morphine overdose until he saw this.” Henry puts his hand on my arm. “Did I break the law by making a copy of this? Or by showing it to you?”

“That’s probably open to interpretation. But you don’t have to worry about it. I won’t tell a soul I’ve seen it.”

“I trust you. I just don’t trust Shad Johnson.”

“You’re not alone in that.” I take a deep breath, then rub my eyes until I see stars. “I don’t mean to keep you, but you said Shad mentioned my father to you?”

“When I first got to his office, he said he thought he had an assisted suicide situation on his hands. He said Viola and your father had some kind of pact about it. But after he saw this, I got a very different feeling.”

“What did he say afterward?”

“Just that the drive was evidence and he had to keep it. But everything had changed somehow. It was more his demeanor than anything else. I had the feeling he was gloating inside. You know?”