Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
Leaning back in my chair, I close my eyes and let the picture fall on my lap. Before a half-dozen breaths fill my lungs, I sit bolt upright, my heart pounding. Snatching up the picture, I study Viola once more, my heartbeat still accelerating. As soon as I stopped trying to figure out what I was missing in the photograph, an epiphany flashed through me. What I’ve been searching for isn’t visible in the picture. Nor was it ever visible in Viola’s presence.
It was her smell.
Even now, I remember it with startling clarity. When Viola sat me down to prick my finger or to give me a tetanus shot, then reached into the glass jar to give me a peppermint, her scent teased my nose in a way I’ve never forgotten. There was perfume in it, one whose name I’ll probably never know. But there was something else beneath that fragrance, something as clean as fresh-turned earth or newly mown grass. The perfumed fraction of that complex scent smells expensive in my memory, something a nurse would not likely have been able to afford. But whether I’m right or wrong about this, one thing I know with certainty: The night my father picked me up so late from the hospital, and told me he’d been on a house call, his imported cigar wasn’t the smell that struck me as I climbed into the car.
It was the tantalizing scent of Viola Turner.
CHAPTER 46
BILLY KNOX SAT at the oak desk in the study of the lodge at Fort Knox, a Walther pistol before him. Two of the three young men who had attacked Henry Sexton stood across from him, their eyes pinned as though flying high on speed. Fear had done that: raw, gut-churning fear. Their wounded friend—the one the old lady had plugged in the belly—lay on a bench against the wall opposite the desk, a tarp folded under him to stop him bleeding onto the upholstery. His name was Casey Whelan. Sonny had injected him with something that was supposed to stop the pain, and Snake had wrapped two turns of camouflage-pattern duct tape around his mouth. Though the tape had slipped a bit, the screaming had finally subsided, but Whelan was still moaning.
Snake Knox stood behind Billy like an older ghost of his son. Beside Snake crouched the seven-hundred-pound razorback Forrest had killed with a spear, the shaft of which still jutted from the hog’s back. And near the hog, concealed behind a partly open door, stood Forrest Knox himself.
“Why do you think Brody chose you guys to kill Henry?” Billy asked.