Back Natchez Burning
Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

“This is fine, Henry. Let’s see it.”

He touches his Mac’s trackpad, and a three-by-five video window appears on the screen. A hospital bed stands in the corner of what appears to be a dim room in a private residence. First I hear a wail that sets my teeth on edge. Then I make out a skeletal figure thrashing in the covers as though trying to free itself from a knotted sheet. A gasping sound is clearly audible, punctuated by a repeated word that sounds like “Help.” The figure half falls off the bed, then reaches for something on the floor. At first I’m not sure what—then I see an empty phone cradle on the bedside table. Suddenly the scene makes sense. The desperate patient has knocked the phone onto the floor and hasn’t enough mobility to reach it.

“Help!” comes the strangled cry again. “Cora … help me.” A few wisps of white hair cling to the patient’s skull. In a moment of horror I realize that this emaciated figure must be what remained of the beautiful nurse I remember from my childhood. Viola’s right hand opens and closes like a claw, but she cannot twist herself out of the bed. “Lord, he’s killing me!” she cries. “Tom … Tom! Why? Where are you?”

My father’s name prickles every hair on my body. Henry’s barely breathing beside me. Somehow the old woman struggles back into a supine position in the bed, one hand pulling at her bare throat as though trying to rip away some invisible ligature. Sweat glistens on her face and forehead, and her breath comes far too fast. She’s going to hyperventilate, if she doesn’t stroke out first. Viola seems to have no idea that the camera is recording anything. But then again, maybe she does.

“Cora!” she screeches, but before she can continue, her gasping stops and her eyes bulge in their sockets. “Hail Mary … full of grace,” she coughs in a strangled voice. “Hail Mary full of—”

In mid-prayer Viola Turner’s mouth locks open, and she sits motionless for so long that I think she must be dead. Then in a final spasm she lurches to her left, throwing herself far enough that her upper torso falls out of the bed. She comes to rest with her lower body still tangled in the bedclothes, her right hand touching the floor near the telephone. I hear no more sounds of respiration. Not even a death rattle.

“She’s dead,” I say softly.

“I think so,” Henry agrees.

“Who else has seen this?”

“Me and the DA. Maybe the sheriff by now.”

“Jesus, Henry.”

“I know.”