Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
“Don’t let him kill me. I got a family.”
Cursing silently, Tom stepped over Thornfield and moved carefully to the end of the aisle, as though walking in a speedboat. Through one of the van’s rear windows, he saw the dead trooper growing smaller in the fading red glow of their taillights. But that vanishing figure was an illusion.
They would never leave that corpse behind them.
CHAPTER 52
IN MY HOUSE on Washington Street, Mom is helping Annie pack a bag upstairs while I sit in our front room, jotting down the most likely explanations for my father jumping bail. It’s remarkable how easy this is, now that my faith in his honesty has been stripped away.
If Dad is innocent of Viola’s murder, then four explanations seem possible: one, he’s trying to solve the murder himself, which would involve proving someone else killed her; two, he’s avoiding a DNA paternity test; three, he’s trying to avenge Viola’s death; or four, he’s trying to stop all further investigation by making himself look guilty by flight. This last possibility seems doubtful, since Shad and Sheriff Byrd have already settled on Dad as the killer and are unlikely to pursue any other suspects.
If my father did kill Viola, then the possible explanations become simpler—yet far more difficult to believe. One, he might be fleeing the country, which would mean setting up a new life somewhere for himself, and presumably for my mother as well. This seems patently absurd, since Dad would consider being separated from Annie for the rest of his life a fate worse than death. On the other hand, he might prefer that to having Annie watch him be sent to prison. I suppose he might rather vanish than have certain secrets revealed, but if so, those secrets must be truly horrific. I can’t imagine that being the father of Lincoln Turner would be sufficient to drive him away from his family.
The sound of an engine on Washington Street draws my attention long enough for me to wait for it to pass. But it doesn’t. Someone has parked outside my house, their engine idling.
Taking my .357 Magnum from the table beside me, I go to the window and look out. A white pickup truck is parked across the road. The same white pickup that Lincoln Turner was driving last night. Rather than frightening me, the sight of him stalking our house suddenly pushes me past my limit.
Running to the door, I jerk it open and race down the steps, but before I can reach the truck, Turner guns his motor and screeches away from the curb, headed toward the river. Like last night, I want to follow him, but tonight I can’t risk leaving Annie and Mom alone.