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Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

Hanging up, I whip my Audi left onto Martin Luther King Street and head out into the county, toward a bend in the Mississippi River. Before I cover a mile, a new thought strikes me with chilling power. Last night, when I was jotting down reasons that Dad might have jumped bail, I omitted one potential answer—probably because it was so primal and obvious. Of course, at that point I didn’t know Walt was with Dad.

What if Henry was right the first night we talked? What if the Double Eagles have threatened violence against our family unless Dad takes the fall for Viola’s murder? If they have, I can easily imagine Dad and Walt going on the offensive, rather than letting Dad die in jail. He and Walt could have gone to the borrow pits in search of the men who threatened us. That dead trooper could have been one of them, a soldier in the secret army of Forrest Knox. If I’m right, then I made a terrible mistake by having the FBI eavesdrop on Brody Royal and his son-in-law. I may well have set up the technology that will record my father and Walt Garrity wiping out the men who framed Dad for Viola’s murder. With fear filling my mind, I press my foot to the floor and lean into the curves that lead into the thickly wooded hills above Anna’s Bottom.

CHAPTER 72

ANNA’S BOTTOM IS a vast, fertile floodplain that swells like a pregnant belly into the old course of the Mississippi River north of Natchez. For 250 years cotton has been cultivated in that plain, and black men and women have toiled there without cease. Though their equipment has changed, little else has, and it’s on the high rim of those fields that Lincoln Turner has chosen to while away his hours this afternoon.

The road to Anna’s Bottom winds through densely forested hills between Highway 61 and the river, and my Audi easily hugs the bulging curves at eighty. All this land was once part of plantations, and many of the big houses still stand amid cattle ponds and old slave quarters. Quite a few people make this drive purely for the exhilaration. The hills rise steadily above the river, the road narrows, and then at three hundred feet above sea level the blacktop plunges down the most precipitous slope in ten counties, snaking back and forth as it falls toward the bottomland. Your mind reels from the sudden change in perspective; the forest drops away, and your gaze flies out over the flatlands of Louisiana toward Texas, while far beneath you a couple of oil wells pump with lazy persistence, all that remain of the fifty that once sucked thirty million barrels of black gold out of these cotton fields.