Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
I close my eyes and swallow hard. Only hours ago I realized my father may have been lying to me for most of my life. Now my mother has told me she’s willing to lie under oath to protect him. “Mom, I really need to talk to Dad tonight.”
“I’ll have him call you when he wakes up. You know he hardly ever sleeps through the night.”
“If he doesn’t call me before midnight, I’m going to drive over there and wake him up.”
“What about Annie? You can’t wake that child on a school night, and you’re certainly not leaving her there. Is Caitlin staying over?”
“No. Mom, please just make sure Dad calls me.”
She sighs with irritation. “All right.”
“I’m sorry if I woke you up.”
The intensity drains out of her voice, which suddenly becomes almost casual again. “You didn’t. I was reading.”
“Did you take a pill tonight?”
“After what happened this morning, that pill might as well be a placebo.”
“Try a different book. A bad book is the best sedative. And leave Dad a note to call me, in case you fall asleep. He’s bound to get up to pee soon.”
“I will. Good night.”
After I hang up, I collapse into my most comfortable chair, my mind across the river with Henry. Hopefully, Drew will call to update me soon.
Though I still mean to go over the autopsy report in detail, my hand picks up the Christmas party photo once more. Why does it haunt me so? Dad would have been thirty-one when this was shot, Viola … twenty-three. Both are looking directly at the camera, and Dad appears tired, as he often did when I was a boy. Beneath Viola’s beauty (which is obvious despite what almost seems an effort to conceal it), I sense something else, as Pithy Nolan once did. Something withheld. Perhaps a black woman with Viola’s power of attraction had already learned that she must conceal that power in the presence of others, or at least around whites.
This afternoon, Pithy Nolan told me it would be impossible to work in close quarters with a woman like Viola and not fall a little bit in love with her. And what did Dad tell me about the 1960s last night? What happened here was a war, too. I can’t help but think of Yuri Zhivago working on the Russian battle front with Larissa Antipov (who is forever Julie Christie in my mind). How could Dad not have been smitten by Viola?