Contents ( 25)
- Aziza meets Charlie Parker in an unspecified bar on 52nd Street
- in a jar
- consider the hand
- 1997
- hypnophobia
- brown girl alien
- my mouth
- a small act
- imitation of life
- the picnic
- moanin’: ode to Charles Mingus
- a small autobiography
- at a Mississippi crossroads, Robert Johnson’s daughter gets her blues
- the love unlimited orchestra
- Juicy (an erasure)
- Aziza meets the nailgun
- lullaby for my unborn daughter
- Addie Parker speaks to Charlie Parker, a mother’s lost advice
- a small translation
- at what/hits stop
- The Gettysburg Address (an erasure)
- no country
- Sing about Me, I’m Dying of Thirst (an erasure)
- how the world will end/slavery returns to the black man
- Notes
all
[Verse One:]
All.
I used
my every attack;
My red match.
Remember,
you never
take
now.
‘Cause sin,
I used to.
Call.
If you don’t
[Chorus]
hold,
I’ll give you
[Verse Two:]
change.
All day.
Keep me.
Miss me.
Play me close like
life without
ears.
I dropped all.
[Verse Three:]
Dead
money handles
one-room.
On her back,
of course.
My face,
no
heat.
Why we thirst?
all...
( all )
don’t
you know
the house
mad?
Aziza meets the nailgun
I don’t know how to wait for rain the way other folks seem to. I open my mouth. Foreclose the light. Scream. I can’t see past where I got hit. I’m not a lock. Not a needle. Just the afterthought of torque. A good wrist and precision. A domesticated violence. I know what I have: the inside of a stain, a shipyard of want. A hand on your name, then off. I design a wound and it’s my best feature. A door, for one. The house blames rust on me. I can’t make anything stay put when all I’m good for is making things stay put. Sometimes, I breathe so fast I become a different thing. What I’m trying to say is: you are not the first. I’ve made my mother cry and couldn’t make it stop.
lullaby for my unborn daughter
begin at the blood/when the house is rotting/
at the red summer/when you were too undone to love/
at the high lyric/ when you got up out of your skin/
at a low moan/when your mother was a long hand held out/
at that small impossible/when air was loud grease/
at your name/when you did everything to stay/
at the red summer/when you got up out your skin/undone
at the blood/when air was that small impossible/hand
at the high lyric/when you became your mother/loud
at your name/when it was a house/rotting
at that small impossible/love/a skin undone
at the blood/when rotting/became air
at the air/that small house
at your too undone/when a hand held out/was impossible
at the blood/when you begin/to love
Addie Parker speaks to Charlie Parker, a mother’s lost advice
Syncopation means
knowing what pocket
to hide your breath
not playing every note
loudly like a man
lost in his own body
a small translation
soy borracho/you’re drunk
sí soy borracho/yes you’re drunk
borracho pero eres linda linda/drunk but you pretty pretty
entiendes?/you understand?
linda!/pretty!
sabes?/you know?
mírame/look at me
please/please
eres linda sabes?/I don’t know
linda!/pretty!
eres linda linda/how to take care of myself
sabes/how to lock up
pero soy borracho/how to shred light simple
se que tu eres linda/how to hold a shrill coil of yes
entiendes?/how to sew without blood
entiendes/I don’t understand
eres linda sabes?/no
linda!/I don’t have anything left to give you
sabes?/you know?
mírame/see this, all spoiled
soy borracho/you hear?
borracho pero eres/what you want
linda!/tastes better
mírame/silent
at what/hits stop
At 9pm off the Utica stop, you can see a playground gone ghost. A car flooded with soca and an old woman yelling into her Bluetooth at an old man yelling into his Blackberry.