Back me Aunt Jemima and the nailgun. Save as PDF
Contents ( 25)
  1. Aziza meets Charlie Parker in an unspecified bar on 52nd Street
  2. in a jar
  3. consider the hand
  4. 1997
  5. hypnophobia
  6. brown girl alien
  7. my mouth
  8. a small act
  9. imitation of life
  10. the picnic
  11. moanin’: ode to Charles Mingus
  12. a small autobiography
  13. at a Mississippi crossroads, Robert Johnson’s daughter gets her blues
  14. the love unlimited orchestra
  15. Juicy (an erasure)
  16. Aziza meets the nailgun
  17. lullaby for my unborn daughter
  18. Addie Parker speaks to Charlie Parker, a mother’s lost advice
  19. a small translation
  20. at what/hits stop
  21. The Gettysburg Address (an erasure)
  22. no country
  23. Sing about Me, I’m Dying of Thirst (an erasure)
  24. how the world will end/slavery returns to the black man
  25. Notes

all

[Verse One:]

All.

I used

my every attack;

My red match.

Remember,

you never

take

now.

‘Cause sin,

I used to.

Call.

If you don’t

[Chorus]

hold,

I’ll give you

[Verse Two:]

change.

All day.

Keep me.

Miss me.

Play me close like

life without

ears.

I dropped all.

[Verse Three:]

Dead

money handles

one-room.

On her back,

of course.

My face,

no

heat.

Why we thirst?

all...

( all )

don’t

you know

the house

mad?

Aziza meets the nailgun

I don’t know how to wait for rain the way other folks seem to. I open my mouth. Foreclose the light. Scream. I can’t see past where I got hit. I’m not a lock. Not a needle. Just the afterthought of torque. A good wrist and precision. A domesticated violence. I know what I have: the inside of a stain, a shipyard of want. A hand on your name, then off. I design a wound and it’s my best feature. A door, for one. The house blames rust on me. I can’t make anything stay put when all I’m good for is making things stay put. Sometimes, I breathe so fast I become a different thing. What I’m trying to say is: you are not the first. I’ve made my mother cry and couldn’t make it stop.

lullaby for my unborn daughter

begin at the blood/when the house is rotting/

at the red summer/when you were too undone to love/

at the high lyric/ when you got up out of your skin/

at a low moan/when your mother was a long hand held out/

at that small impossible/when air was loud grease/

at your name/when you did everything to stay/

at the red summer/when you got up out your skin/undone

at the blood/when air was that small impossible/hand

at the high lyric/when you became your mother/loud

at your name/when it was a house/rotting

at that small impossible/love/a skin undone

at the blood/when rotting/became air

at the air/that small house

at your too undone/when a hand held out/was impossible

at the blood/when you begin/to love

Addie Parker speaks to Charlie Parker, a mother’s lost advice

Syncopation means

knowing what pocket

to hide your breath

not playing every note

loudly like a man

lost in his own body

a small translation

soy borracho/you’re drunk

sí soy borracho/yes you’re drunk

borracho pero eres linda linda/drunk but you pretty pretty

entiendes?/you understand?

linda!/pretty!

sabes?/you know?

mírame/look at me

please/please

eres linda sabes?/I don’t know

linda!/pretty!

eres linda linda/how to take care of myself

sabes/how to lock up

pero soy borracho/how to shred light simple

se que tu eres linda/how to hold a shrill coil of yes

entiendes?/how to sew without blood

entiendes/I don’t understand

eres linda sabes?/no

linda!/I don’t have anything left to give you

sabes?/you know?

mírame/see this, all spoiled

soy borracho/you hear?

borracho pero eres/what you want

linda!/tastes better

mírame/silent

at what/hits stop

At 9pm off the Utica stop, you can see a playground gone ghost. A car flooded with soca and an old woman yelling into her Bluetooth at an old man yelling into his Blackberry.