Back me Aunt Jemima and the nailgun. Save as PDF
Contents (25)
  1. Aziza meets Charlie Parker in an unspecified bar on 52nd Street
  2. in a jar
  3. consider the hand
  4. 1997
  5. hypnophobia
  6. brown girl alien
  7. my mouth
  8. a small act
  9. imitation of life
  10. the picnic
  11. moanin’: ode to Charles Mingus
  12. a small autobiography
  13. at a Mississippi crossroads, Robert Johnson’s daughter gets her blues
  14. the love unlimited orchestra
  15. Juicy (an erasure)
  16. Aziza meets the nailgun
  17. lullaby for my unborn daughter
  18. Addie Parker speaks to Charlie Parker, a mother’s lost advice
  19. a small translation
  20. at what/hits stop
  21. The Gettysburg Address (an erasure)
  22. no country
  23. Sing about Me, I’m Dying of Thirst (an erasure)
  24. how the world will end/slavery returns to the black man
  25. Notes

I see her, one foot poised in a Sunday best heel, the other curdled in a slipper sock.

A gold ring decks each finger. I can only focus on extremities. The man is just a man, layered in sweaters and a practiced slouch. They could be talking to each other. They are close enough. They are staring at their feet, the beginning of a strained two-step.

Maybe.

But nah. Not tonight. There is a chill from another winter and I cannot name the soca tune playing, I only know I’m supposed to know it. The way I know a dance that refuses a body is fear sucking dry some muscle. Past Utica is Ralph, then Rockaway, then I walk past the couple that isn’t a couple, past a thought about the end of a line, an extremity gone ghost. I hear that soca tune, then watch it drive off into Lewis Ave and I turn right, shake off possibility, stop trying to remember the title, where I heard it first, when I was close enough.

But not tonight.

Down Lewis, a man hollers at me, “aye yo! yo ma! I’m so attracted to you- can I please take you to the steak house?” The man is just a man and I know I’m supposed to know it. That we will not talk to each other, but yell at possibility. That we’ll get mad at what we have to grow out of, at what hits stop.

The Gettysburg Address (an erasure)

This all

Might live.

But we?

Can not

Can not

Can not.

no country

1.

Is there a word for:

Just-a-brown-thing

no-sound-no-home

mother-loud-name

call-it-a-family-call

me-a-joke-daddy-can’t

open-him-mouth-without

a-lie-searching-for—

Just one?

Grip my hand on a phantom home,

all I do is ride out.

2.

Hand it over!

The Vegas you know

is bitched to dust

and all your women squeal

in my fist. Call me some other name.

A Chief, a Solider, a Brown Mockery

of Your Dead God.

My demands are few.

3.

Engineer a neon hate for me.

Crash it quick and call a SWAT Team

from 1976. I want to be so bad

they name a gun after me.

Rattlesnake and Tired Whore,

a dangerous respect I will dole out

for they have known my skin

and that is the lowest me.

Stuff every black baby in a djembe.

Watch them beat a way out.

I decree this racket a clock tower

and every cell phone’s ring tone

in my province, for it is more than me.

Birds of paradise from my ma’s wedding

bouquet will flock my desert. My kin.

Dear fools,

you don’t know me.

4.

Slice your eyes shut.

Yours truly,

Officer of the Armageddon,

Black Columbus of the First World,

chokes the curve out of her horse’s back,

her tears unmaking Nevada proper.

Sing about Me, I’m Dying of Thirst (an erasure)

(Sing about me)

[Intro]

[Verse 1]

I’m

not

here

I can

borrow

my mind

I find nothing

is what

we consider

A bullet