Contents (25)
- Aziza meets Charlie Parker in an unspecified bar on 52nd Street
- in a jar
- consider the hand
- 1997
- hypnophobia
- brown girl alien
- my mouth
- a small act
- imitation of life
- the picnic
- moanin’: ode to Charles Mingus
- a small autobiography
- at a Mississippi crossroads, Robert Johnson’s daughter gets her blues
- the love unlimited orchestra
- Juicy (an erasure)
- Aziza meets the nailgun
- lullaby for my unborn daughter
- Addie Parker speaks to Charlie Parker, a mother’s lost advice
- a small translation
- at what/hits stop
- The Gettysburg Address (an erasure)
- no country
- Sing about Me, I’m Dying of Thirst (an erasure)
- how the world will end/slavery returns to the black man
- Notes
If there was a fist here, give it another name:
a coiled Christmas light, blackened. A prayer,
a spider in the pantry; harmless, unrelenting.
The way love isn’t.
The way a cancer doesn’t know.
It is the one on my lap at funerals,
folded down in a church,
letting some sour God get sick of some sour me.
It is the one that cannot reach my mother
when she cries in the car.
There is a small callous,
unwanted patches of hair,
the stark resemblance to a crab:
all the fixings of a high yella
and a high yella’s daughter.
Everything written is 10 years too old.
A coward, it crawls out of a nail bed
and makes a wrong turn, missing
a chance at the mouth.
I blame the right for every packaged silence,
for every brewing “no,” hammering in the wrist,
for every blood it dreams to expel
in a strained silhouette victorious,
for holding yours, for calling it “nothin’,”
for holding yours, for calling it “home,”
and what a funny happening.
I’ve made two brothers unmusical somehow.
The left is not the same.
It is some woman’s thing used so often
I forget it’s there.
1997
When you’re 5, your sister
will stare only at objects.
The body associates
with like-matter. For a month,
the non-breathing will resemble
a 20-pound girl with a blue face.
Her doctor is a handless blacksmith.
Whatever he administers
was engineered by faith,
is at the mercy
of what you will cling to.
From that time, you will not
remember any sound: your father’s
voice, the axe-picked march of mucus
out of his daughter’s chest,
the doctor’s shuffling steps, (which
you imagine are small coffins, clapping
the way to your sister’s room).
All of these will be hollowed out
for you. The body, for all its holes,
likes to protect.
Your sister’s lungs will be returned to her.
Recovery is a forgetful God. The radio
will become an appliance of torture.
For the next year, you will clap off-beat
to every song. The music gnawing
at the fences around your ears.
hypnophobia
Someone is choking you while you sleep.
Your English teacher. The one who
wears those awful khaki pants that show
his manhood everything. He cackles over
your bed, your skin, that hot piece of coal.
Someone must’ve cut the wire, the one
connecting your brain to your backhand.
Not even an eyelid will save you. He hears
your heart. He can’t stand the pulse of it,
the off-putting way you want to save yourself.
He rolls up his sleeve and tunnels his arm
down your throat, uproots your heart,
says to you, “eat it.”
You are an unstitched doll learning her parts
as she loses them.
I am not afraid of the night. I am afraid
of its obligation: to close your eyes
and unleash that tight fist of knowing.
I could not have been born this way.
For every fear, there is said to be
a triggering effect. Someone holding a gun