Contents (25)
- Aziza meets Charlie Parker in an unspecified bar on 52nd Street
- in a jar
- consider the hand
- 1997
- hypnophobia
- brown girl alien
- my mouth
- a small act
- imitation of life
- the picnic
- moanin’: ode to Charles Mingus
- a small autobiography
- at a Mississippi crossroads, Robert Johnson’s daughter gets her blues
- the love unlimited orchestra
- Juicy (an erasure)
- Aziza meets the nailgun
- lullaby for my unborn daughter
- Addie Parker speaks to Charlie Parker, a mother’s lost advice
- a small translation
- at what/hits stop
- The Gettysburg Address (an erasure)
- no country
- Sing about Me, I’m Dying of Thirst (an erasure)
- how the world will end/slavery returns to the black man
- Notes
moanin’: ode to Charles Mingus
sumthin’ about a boy from Watts
make him talk in third person,
“my boy was a heartbreaker,
taught his women to beg for more!”
sumthin’ bout a girl from Los Angeles
make her understand boy from Watts
maybe cuz my girl knows she
wouldn’t put up with his narratives
‘em both native to nowhere,
“my boy—that yella one there!”
yella is 108th and Century Blvd.
yella is Crenshaw and Vernon.
yella is that sweet stink noise grown folks
slap together when nothin’ good on tv.
my boy knew that sex like the last shred
of notes shaved fine on a dying bass strung out
and tight would give it to any broad who asked
my girl listen to her mama (yella is Clemson
and La Bera as much as anywhere) tell stories
bout yella how it make the walk home a parade
of bricks n bikechains n milk cartons no escapin’ it
smilin’ yella make people wanna spill sumthin’ loud
it’s a place as much as it’s a skin,
“my boy goes back inside himself.”
my girl wonder if he ever made it back out
my girl got educated in a boy from Watts
towering over his own face he has all of them
so he is the most alone my girl wanna know
where all that high yella walk to
when it come down when you aint worth
the last sound crawling on your mouth,
“don’t leave, boy…”
“my boy in other words is three they’re all real.”
my girl got educated in my boy,
never got taught to beg for more.
sumthin’ bout my boy break my girl’s heart
make her understand the long walk home.
a small autobiography
Miles Davis had a huge forehead but /was not known/for it
which meant /you would only know to look/at it if you had seen it
of quilt and crowbar/his legacy is
meaning/you must remember/St. Louis and the Midwest
all I see/are cows when I write that
cows and Idaho
by Idaho I mean potatoes
all I know of Idaho/is what grows underneath it
and wasn’t he/such a pretty boy
marinate til the fibers tear apart
what funeral were you always/dressing for
I would only know to look/for it if I had seen it
how many times have I seen Miles Davis die
marinate til all the fibers tear apart
I mean I guess/it’s just a question of desire
what do you wade in Davis
the dewy-eyed merchant you is
what tore you up/
would I only see/ it if I knew to see it
if I had/seen it before
are you trying to tell me something
I am supposed to already know
all I know/of you is what grows underneath
is what marinate til all the fibers
dressed for a funeral you
already know don’t you
you playing that horn
you are dressing sound for its funeral
all I know is/I would only know to look/at it if I had seen it
trust me Davis