Chapters (206)
- Praise for Maplecroft
- Title page
- Copyright page
- Contents
- ACKNOWLEDGMENTS
- THESE ARE THE THINGS AN EARTHQUAKE BRINGS
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- A DOCTOR, A LAWYER, A MERCHANT, A CHIEF
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- Phillip Zollicoffer, Professor of Biology, Miskatonic University
- Lizzie Andrew Borden
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- BE SURE YOUR SINS WILL FIND YOU OUT
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- I CROSS THE MAGPIE, THE MAGPIE CROSSES ME
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- Nance O’Neil
- THIS KNOT I KNIT, THIS KNOT I TIE
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- AND IF YOU HAVE A HORSE WITH ONE WHITE LEG . . .
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- THE WORST IS TO BE JUDGED WITHOUT HOPE
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- Lizzie Andrew Borden
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- BUT NETTLE SHANT HAVE NOTHING
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- CUT THEM ON FRIDAY, YOU CUT THEM FOR SORROW
- Phillip Zollicoffer, Professor of Biology, Miskatonic University
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- HAPPY IS THE CORPSE THAT THE RAIN SHINES ON
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- A DWELLING PLACE OF JACKALS, THE DESOLATION FOREVER
- Lizzie Andrew Borden
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- Nance O’Neil
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- RIGHT CHEEK, LEFT CHEEK—WHY DO YOU BURN?
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- Aaron B. Stewart, Fire Chief, Farthington, Mass.
- Emma L. Borden
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- Gerald Macintyre, Telegraph Clerk, Western Union
- Owen Seabury, M.D.
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- Physalia, Z. University I Was Not Now
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- DEPART, ALL ANIMALS WITHOUT BONES
- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Owen Seabury, M.D.
- Phillip Zollicoffer. Physalia Zollicoffris.
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- Christoff Dane, M.D., Ph.D., University of Rhode Island, Kingston
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Emma L. Borden
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- FAMILY SLAIN IN MAYFIELD
- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Emma L. Borden
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- Owen Seabury, M.D.
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- Lizzie Andrew Borden
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- Inspector Simon Wolf
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I ran back to the cellar door, shut it, and dropped the guns into Emma’s lap. They looked so heavy in her hands when she lifted them and checked to see that they were ready. She knew how to shoot because I’d taught her, and I had to trust that she’d defend herself ably should the worst occur.
But I warned her, “Don’t be an eager shot, dear—I’m not going outside yet. Stay quiet.”
She nodded with understanding. She knew the routine. Silence and darkness.
Taking my axe along for the tour, I went from room to room on our first floor and extinguished the gas lamps until nothing but the streetlamps cast illumination into our space. It was feeble light, fractured and prismatic, sent through the leaded-glass trestle and the street-facing windows, but it was enough for me to orient myself, and to feel as if I now had the space to listen.
I closed my eyes and opened them again, letting the darkness adjust my vision. I stood in the center of the large front room, strange lines and shadows marking me like a nightmare’s checkerboard. I could see the patterns on my dress, slashing dark lines and light grooves across my skirts and down my arms. The tattoos of brightness shifted when I shifted, raising the axe and feeling its heft settle across my shoulder as I waited, squinting at the night outside and wondering where the would-be intruder had gone off to.
Where was it?
Emma said the kitchen; she’d seen it at the window. It wouldn’t be there still. It would’ve tried to follow her, circling, tracking her through sound or scent or whatever it is these things use to perceive the world.
Mostly they seem to be blind, or to see very poorly. But they feel . . . they pat the walls, they lunge at the boards, they trip and scuttle and scramble up our stairs when they stumble across them. They press their weird, webbed hands against the windows and leave prints on the glass in the shape of starfish.
I held as motionless as possible, hearing only the creak of my breath against my clothing, the bones of my undergarments giving and resisting, the cinch of my tied belt stretching, the small stitches in small seams straining to contain me. And then I heard it, against the south wall. It must’ve been standing in the long, narrow rose garden, as if a thing like that cared a whit about catching thorns or treading on blossoms.