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Contents (117)
  1. Jailbird
  2. Caro Savage
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Chapter 80
  83. Chapter 81
  84. Chapter 82
  85. Chapter 83
  86. Chapter 84
  87. Chapter 85
  88. Chapter 86
  89. Chapter 87
  90. Chapter 88
  91. Chapter 89
  92. Chapter 90
  93. Chapter 91
  94. Chapter 92
  95. Chapter 93
  96. Chapter 94
  97. Chapter 95
  98. Chapter 96
  99. Chapter 97
  100. Chapter 98
  101. Chapter 99
  102. Chapter 100
  103. Chapter 101
  104. Chapter 102
  105. Chapter 103
  106. Chapter 104
  107. Chapter 105
  108. Chapter 106
  109. Chapter 107
  110. Chapter 108
  111. Chapter 109
  112. Chapter 110
  113. Chapter 111
  114. Acknowledgments
  115. More from Caro Savage
  116. About the Author
  117. About Boldwood Books

She pondered on the important matter that they were discussing, listening to Kay as she held forth on it.

‘That’s when the red warning lights go off,’ Kay was saying. ‘That’s when the alarm bells start ringing. When the price is actually printed on the packet.’

‘I agree with you to a certain extent,’ said Seema. ‘When you see that, you know the quality isn’t going to be great.’

‘I mean, a pack of custard creams for thirty-five pence? The manufacturers actually feel the need to state that on the packet, to make sure that they’re not sold for any more than that. It’s like an explicit admission that these are biscuits of an inferior quality.’

‘Yeah, but custard creams have never been a high-end biscuit. They’ve always been a working-class biscuit.’

‘I’m just using them as an example. The same can apply to bourbons, Jammie Dodgers, fruit shortcakes…’ She counted them off on her fingers.

They were revisiting one of their favourite topics of conversation – biscuits. It was a complex and diverse subject that all three of them were able to discuss for hours on end.

‘I think one thing it’s important to remember,’ said Seema, ‘is that it’s possible to mitigate the poor quality of any biscuit merely by dunking it in a cup of tea.’

Kay shook her head. She wasn’t convinced.

‘But even on that level inferior biscuits possess suboptimal dunkability potential. Surely you must have noticed that?’ She turned to Mel. ‘Mel? Have you noticed that?’

But Mel was just sitting there staring at the opposite wall, her eyes wide open, trapped in some kind of trance, and had clearly not been paying attention to what they had been talking about.

Kay snapped her fingers in front of Mel’s face. ‘Mel? Earth to Mel. Come in, Mel.’

Eventually, Mel blinked and looked at them. She swallowed. Her eyes rolled fearfully.

‘He’s a duppy,’ she whispered hoarsely. ‘He’s in here and he’s gonna get us. Mi fraida duppy!’

Kay raised her eyes to heaven. ‘You and your bleeding duppies. They’re nothing but old wives’ tales. They’re all you ever seem to be going on about since your cellmate got topped.’

It appeared that Mel was still fixated on their previous conversation – about the most recent murder.

‘It did happen in the segregation block,’ said Seema. ‘That place is like a fortress. Big thick walls and permanently locked doors. Yet Natalie was murdered inside her cell. Tell me how that happened. I mean, if you’re not safe in segregation, then where are you safe?’

‘Locked doors and walls don’t mean nothing to a duppy,’ said Mel. ‘He can walk through walls. If a duppy wants to get you, he’ll come and get you wherever you are.’

‘What a load of bollocks!’ scoffed Kay. ‘Natalie was a snitch. That’s why she was in segregation. That’s why she was killed. End of story.’

‘But scalped?’ said Seema. ‘She was killed just like the others. That’s what I heard. All carved up. Like properly fucked up. There’s something weird about that. Something evil.’