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Contents (117)
  1. Jailbird
  2. Caro Savage
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Chapter 80
  83. Chapter 81
  84. Chapter 82
  85. Chapter 83
  86. Chapter 84
  87. Chapter 85
  88. Chapter 86
  89. Chapter 87
  90. Chapter 88
  91. Chapter 89
  92. Chapter 90
  93. Chapter 91
  94. Chapter 92
  95. Chapter 93
  96. Chapter 94
  97. Chapter 95
  98. Chapter 96
  99. Chapter 97
  100. Chapter 98
  101. Chapter 99
  102. Chapter 100
  103. Chapter 101
  104. Chapter 102
  105. Chapter 103
  106. Chapter 104
  107. Chapter 105
  108. Chapter 106
  109. Chapter 107
  110. Chapter 108
  111. Chapter 109
  112. Chapter 110
  113. Chapter 111
  114. Acknowledgments
  115. More from Caro Savage
  116. About the Author
  117. About Boldwood Books

She walked past cells where inmates sat entranced by the flickering lights of TV screens or computer games. In other cells, they just lay there immobile on their bunks plugged into headphones listening to music or reading magazines.

To an outside observer, it might have seemed an easy life, but she sensed that it was all part of a desperate quest for distraction from the tedium and boredom of life in the prison. And more than that it was a way to avoid having to think too much about what they had done to end up behind bars in the first place.

As she walked along, she wondered how best to frame her approach to Melanie Clarke, how to broach the subject of Alice without sounding odd or raising suspicion. After all, she and Alice weren’t supposed to be connected to each other in any way whatsoever. In the end, she decided that she’d just play it by ear.

She reached cell number 113 and stepped into the open doorway. A white inmate with long brown hair was sitting cross-legged on the floor with her eyes closed in what appeared to be a meditative yoga position.

‘Melanie Clarke?’ said Bailey.

The inmate opened her eyes and looked at Bailey with a slightly miffed expression. She shook her head and nodded to her right. ‘She’s with her mates. Cell at the end. Follow your nose.’

She closed her eyes again.

Bailey stepped back onto the landing. She sniffed the air. The odour of illicit drugs was always present, but the distinctive smell of marijuana seemed to be particularly pronounced down here. She continued walking along the landing. As she drew closer to the cell at the end, the pungent smell of dope grew even stronger. As did the sound of music. She recognised the bass thump and reverb of heavy dub. It resembled some psychedelic form of reggae.

She stopped outside the last cell. The door was open. She peered in warily but it was hard to see anything through the thick layers of marijuana smoke. As her eyes adjusted to the dimness, the first thing she made out was the glowing tip of a joint as it flared and was passed around the three inmates occupying the cell.

Beneath a large poster of Jean-Claude Van Damme flexing his oiled muscles was a white inmate sitting on a chair at the desk rolling a joint. She had a nose ring and her dark red hair was twisted into crude dreadlocks. On the bunk was a mocha-skinned Asian inmate who was nodding her head hypnotically to the music emanating from the cheap portable stereo that was sitting by her feet. And slumped next to her on the bunk was a mixed-race inmate with her frizzy hair poking out in all directions. She was just staring vacantly into middle space.

Bailey wondered which one of the three was Melanie Clarke.

For some reason, there was a colourful profusion of small origami animals scattered around the cell. With a single glance, Bailey could distinguish a crane, a horse, a tortoise and what even appeared to be a spider.