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Contents (117)
  1. Jailbird
  2. Caro Savage
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Chapter 80
  83. Chapter 81
  84. Chapter 82
  85. Chapter 83
  86. Chapter 84
  87. Chapter 85
  88. Chapter 86
  89. Chapter 87
  90. Chapter 88
  91. Chapter 89
  92. Chapter 90
  93. Chapter 91
  94. Chapter 92
  95. Chapter 93
  96. Chapter 94
  97. Chapter 95
  98. Chapter 96
  99. Chapter 97
  100. Chapter 98
  101. Chapter 99
  102. Chapter 100
  103. Chapter 101
  104. Chapter 102
  105. Chapter 103
  106. Chapter 104
  107. Chapter 105
  108. Chapter 106
  109. Chapter 107
  110. Chapter 108
  111. Chapter 109
  112. Chapter 110
  113. Chapter 111
  114. Acknowledgments
  115. More from Caro Savage
  116. About the Author
  117. About Boldwood Books

Amber was sitting on top of a nearby dryer. Her feet were crossed and she was swinging them lightly so that her shiny black shoes bumped softly against the side of the machine. She was looking down at Bailey with an expression of detached interest.

‘Awake? Good. For a horrible moment I thought I’d put you in a coma or something. But I guess I did pay enough attention on that control and restraint course after all.’

‘Why didn’t you kill me?’ croaked Bailey.

‘That would have defeated the point. At least one of you has to be alive. For him. He likes them to be alive… for a little bit at least.’

‘Why didn’t you didn’t scalp her?’ Bailey nodded over at Poppy’s corpse.

Amber screwed up her face.

‘Yuck! I don’t do that! What a thought! The scalping… that’s Leonard’s thing. No… I just plain old killed her because she was in the way. And her hair isn’t as nice as yours. Leonard’s never been into undercuts,’ she said, referring to Poppy’s hairstyle. ‘Yours is much more up his street.’

‘You choose them for him?’ Amber’s depravity nauseated her.

‘Sometimes,’ she shrugged. ‘And sometimes he just likes a bit of pot luck.’

‘Where is he?’

Amber looked at her watch. ‘Oh, he’ll be here soon enough. He’s usually pretty punctual.’

‘I thought it was tomorrow that he was due to come in.’

‘It is tomorrow, silly. It’s gone three o’clock.’

At the mention of timings, a niggling unanswered question re-emerged in Bailey’s mind.

‘Why does he kill on a sixteen-day cycle?’

Amber frowned as if the answer was obvious. ‘Well, that’s the way the rota works here. Every sixteen days I’m scheduled to be down here in the basement. Getting him in and out and around the prison requires a certain amount of facilitation shall we say, so it helps if I’m here to welcome him in.’

The rota. Bailey wanted to kick herself for not noticing it earlier. She hadn’t spotted the connection between the dates on the rota and the scheduled locations of the prison officers because she’d been too busy looking at the locations of the murders themselves, only one of which – Alice’s – had actually occurred in the basement.

They lapsed into silence. Bailey took the opportunity to study Amber more closely, marvelling once again at her chameleonic transformation from Felicia Lee into Amber White.

‘How did you manage to get a job here?’ asked Bailey.

‘Fake references and “good interpersonal skills”. It’s a lot easier than you think.’

‘You’d have made a good undercover police officer,’ Bailey admitted.

‘People see what they want to see. They take stuff at face value. If they’re expecting to see a prison officer, that’s what they’ll see.’

‘Sharon recognised you though, didn’t she? That fight in the canteen. You got your glasses knocked off and that’s when she recognised you. She knew you better than most because you were cellmates. She was trying to blackmail you, wasn’t she?’