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Contents ( 117)
  1. Jailbird
  2. Caro Savage
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Chapter 80
  83. Chapter 81
  84. Chapter 82
  85. Chapter 83
  86. Chapter 84
  87. Chapter 85
  88. Chapter 86
  89. Chapter 87
  90. Chapter 88
  91. Chapter 89
  92. Chapter 90
  93. Chapter 91
  94. Chapter 92
  95. Chapter 93
  96. Chapter 94
  97. Chapter 95
  98. Chapter 96
  99. Chapter 97
  100. Chapter 98
  101. Chapter 99
  102. Chapter 100
  103. Chapter 101
  104. Chapter 102
  105. Chapter 103
  106. Chapter 104
  107. Chapter 105
  108. Chapter 106
  109. Chapter 107
  110. Chapter 108
  111. Chapter 109
  112. Chapter 110
  113. Chapter 111
  114. Acknowledgments
  115. More from Caro Savage
  116. About the Author
  117. About Boldwood Books

‘No. I told you, I had to give it all back.’

‘If I’d been in your situation, I would have invested in property.’

‘They would have confiscated it.’

‘Not if you’d bought it in Northern Cyprus. That’s the place to buy property with illegal cash. And there’s no extradition treaty either.’

‘Thanks for the tip.’

‘Remember it for next time, eh?’

Chapter 23

Amber gazed idly at the three multiplexer monitors which filled the entire span of one wall of the CCTV control room. Each monitor was subdivided into twelve mini-screens, each of those in turn connected to a camera somewhere in the prison complex. There were no windows in the control room, and this gave it a vaguely claustrophobic feel, but with so many things to pay attention to on the screens, they would have presented an unnecessary distraction anyhow.

All of the prison officers were required to work shifts in the control room. Some of them enjoyed it, seeing it as a cushy job, the opportunity to watch television for several hours. Amber had initially found it quite intriguing from a voyeuristic perspective, however the novelty had soon dulled. When you watched normal television, there was usually a story of some sort to maintain your interest. In here, however, much of the activity displayed on the screens was incredibly mundane and repetitive. And it got boring pretty quickly.

From her vantage point in her swivel chair, she could see what was happening all over the prison at that exact moment in time. A group of inmates loitering around on one of the landings, laughing and joking amongst themselves. Two of her colleagues leading a nervous new inmate from the back of a prison van. A brood of crying children being scolded by their incarcerated mother in the crowded visit hall. A chaotic and argumentative game of football in the prison yard. And so on. And so forth.

Directly in front of her was a spot monitor where she could view the feed from a specific camera in larger detail. Using the keyboard on the desk, she could switch between cameras and different locations within the prison, and she could also operate the cameras, tilting, panning and zooming them as necessary. That was perhaps the only fun bit – being able to zoom in on people without them knowing that you were doing so.

During her induction a few weeks previously, Maggie had brought her in here and explained how it all worked.

‘The cameras give real-time coverage of what’s going on in the prison, and all of it is recorded onto this hard drive.’ She’d gestured at the computer terminal on the desk. ‘We archive the footage for twenty-eight days, then it’s overwritten automatically. It’s time-stamped and it’s admissible as evidence in court, so it’s good if you want to check back on a particular incident, and it’s also handy if an inmate accuses you of something you didn’t do.

‘Obviously, we can’t hope to monitor every square inch of the place. That would be impossible in a huge old Victorian building like this with all its millions of nooks and crannies. Anyhow, it would be counterproductive to try and see everywhere as there are a limited number of screens in here and there’s only ever one person manning them at any particular time. So we stick the cameras in places where we think incidents are most likely to occur, and also in places where overall security is particularly important.’